| | SLO | ENG | Cookies and privacy

Bigger font | Smaller font

Show document Help

Title:KLAVIRSKI CIKLUS CLAUDA DEBUSSYJA - ESTAMPES
Authors:ID Kavaš, Miha (Author)
ID Svete, Tomaž (Mentor) More about this mentor... New window
Files:.pdf UNI_Kavas_Miha_2011.pdf (7,71 MB)
MD5: 9C365CA10AE9B38242B119EDDDF18200
PID: 20.500.12556/dkum/21d20933-7781-4f4c-8474-fbb3441df9f3
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:PEF - Faculty of Education
Abstract:Diplomsko delo je sestavljeno iz teoretičnega in praktičnega dela. Pričujoče delo obravnava skladatelja Clauda Debussyja in njegovo klavirsko delo Estampes. Samo delo je ciklus treh skladb: Pagodes, Soirée dans Grenade in Jardins sous la pluie. Raziskana in obdelana je njegova življenjska pot in ustvarjanje. Skladbe so raziskane in analizirane v oblikoslovnem, ritmičnem, harmonskem in interpretacijskem vidiku. V diplomskem delu so uporabljene naslednje metode: metoda analize in sinteze, deskriptivna metoda, zgodovinska metoda, komparativna metoda ter metoda generalizacije in specializacije.
Keywords:Klavir, Debussy, impresionizem, gamelan, habanera, flamenko, izvedba.
Place of publishing:Maribor
Publisher:[M. Kavaš]
Year of publishing:2011
PID:20.500.12556/DKUM-19041 New window
UDC:78(043.2)
COBISS.SI-ID:18512136 New window
NUK URN:URN:SI:UM:DK:CHU8AHOE
Publication date in DKUM:08.07.2011
Views:2752
Downloads:239
Metadata:XML DC-XML DC-RDF
Categories:PEF
:
Copy citation
  
Average score:(0 votes)
Your score:Voting is allowed only for logged in users.
Share:Bookmark and Share



Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Secondary language

Language:English
Title:CLAUDE DEBUSSY'S PIANO CYCLE - ESTAMPES
Abstract:This diploma paper consists of a theoretical and a practical part. It discusses the composer Claude Debussy and his piano piece Estampes. The piece is a cycle of three songs: Pagodes, Soirée dans Grenade and Jardins sous la pluie. Author's private as well as creative life has been researched and is discussed in the paper. The songs have been researched and analysed from the morphological, rhythmic, harmonic and interpretational point of view. In the process of writing the following methods were used: the method of analysis and synthesis, the descriptive method, the historical method, the comparative method and the method of generalisation and specialisation.
Keywords:Piano, Debussy, impressionism, gamelan, habanera, flamenco, performance.


Comments

Leave comment

You must log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back
Logos of partners University of Maribor University of Ljubljana University of Primorska University of Nova Gorica