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Title:PARTICIPATIVNOST IN SODOBNA NEODVISNA FILMSKA PRODUKCIJA V SLOVENIJI
Authors:ID Pucer, Matevž (Author)
ID Zajc, Melita (Mentor) More about this mentor... New window
Files:.pdf UNI_Pucer_Matevz_2011.pdf (1,17 MB)
MD5: 92DD94094884CC55B2DD70902BC7947E
PID: 20.500.12556/dkum/b2dd36cf-0857-48c3-a309-5296b64c8088
 
Language:Slovenian
Work type:Bachelor thesis/paper
Organization:FERI - Faculty of Electrical Engineering and Computer Science
Abstract:V dobrem stoletju svojega obstoja je dokumentarni film doživel radikalne spremembe tako v svoji reprezentaciji kot v samem izgledu. Dandanes je dokumentarizem eno glavnih orodij za razumevanje globalnih kontekstov na nivoju širše javnosti. Tudi v Sloveniji je dokumentarna produkcija, predvsem neodvisna, v zelo hitrem razvoju, krog ustvarjalcev in tudi občinstva dokumentarnih filmov pa je širši kot kdajkoli prej. V diplomskem delu se, po pregledu trenutnega stanja neodvisne dokumentarne produkcije v Sloveniji, poglobimo v različne teorije dokumentarne reprezentacije. Nato pa preko pogovora z režiserko Anjo Medved in analizo njenih filmov skušamo raziskati, kakšne so značilnosti sodobnih dokumentarnih vsebin, v katero smer pelje njihov razvoj ter kakšni so cilji, ki si jih njihovi režiserji zastavljajo.
Keywords:participativnost, dokumentarni film, neodvisni film, Anja Medved
Place of publishing:Maribor
Publisher:[M. Pucer]
Year of publishing:2011
PID:20.500.12556/DKUM-20349 New window
UDC:791.6(497.4)(043.2)
COBISS.SI-ID:15401750 New window
NUK URN:URN:SI:UM:DK:FFHVHAMN
Publication date in DKUM:21.09.2011
Views:11342
Downloads:213
Metadata:XML DC-XML DC-RDF
Categories:KTFMB - FERI
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Secondary language

Language:English
Title:PARTICIPANCY AND THE CONTEMPORARY IN INDEPENDENT FILM PRODUCTION IN SLOVENIA
Abstract:In more than one hundred years of its history, the documentary film was marked by radical changes in representational and visual meanings. Nowadays, the main efforts of documentarism are focused toward the understanding of global contexts on a large public scale. The independent documentary in Slovenia is developing extremely fast. The consequences are fast growing production teams and audiences. We begin the following thesis with a short overview on documentary tradition and a structural research on some documentary theories. The core part is based on the director Anja Medved, starting with an interview and followed by an analysis of four of her films. The goal is to find some specifics of the contemporary documentary film and understand the meanings which today's directors impose on documentarism.
Keywords:participancy, documentary film, indipendent film, Anja Medved


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