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Title:UPORABA CHROMA KEY TEHNIKE V DIGITALNEM VIDEU
Authors:ID Fišer, Robert (Author)
ID Družovec, Marjan (Mentor) More about this mentor... New window
Files:.pdf UNI_Fiser_Robert_2011.pdf (2,07 MB)
MD5: E62970F461783C0B4E0E0A440DA25FDD
PID: 20.500.12556/dkum/e0aecda0-8fd7-4d11-8c45-2531b51e7dac
 
Language:Slovenian
Work type:Bachelor thesis/paper
Organization:FERI - Faculty of Electrical Engineering and Computer Science
Abstract:Osrednji temi diplomskega dela sta opis in prikaz chroma key procesa, vključno s pripravo na snemanje, opisom dela barvnega ključa pri združevanju dveh plasti slik ter prikazom končnega rezultata. Priprava vključuje izbiro primerne barve in materiala za ozadje ter pravilno osvetlitev ozadja in objekta. Predstavljeno je, kako barvno ozadje omogoča strojni in programski opremi zaznavanje in ločevanje ozadja in objekta, ki je pred njim. Vse skupaj je predstavljeno tudi na praktičnem primeru. Za zaključek je predstavljena 3D tehnologija, pri kateri bi lahko z globino, na podoben način kot pri chroma key tehniki z barvo, ločevali objekte od ozadja, pred katerim bi bili posneti.
Keywords:Barvni ključ, greenscreen, maska, studio, objekt
Place of publishing:Maribor
Publisher:[R. Fišer]
Year of publishing:2011
PID:20.500.12556/DKUM-20593 New window
UDC:621.397:778.53(043.2)
COBISS.SI-ID:15893526 New window
NUK URN:URN:SI:UM:DK:UF0QQADZ
Publication date in DKUM:22.11.2011
Views:11416
Downloads:244
Metadata:XML DC-XML DC-RDF
Categories:KTFMB - FERI
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Secondary language

Language:English
Title:CHROMA KEY TECHNIQUE IN DIGITAL VIDEO
Abstract:The central theme of this thesis is the chroma key technique in theory and in action. That includes the pre-production process and the operations performed by the keyer in the compositing process. Pre-production starts with planning the studio, so that it is properly equipped for shooting green or bluescreen, mainly appropriate lighting and backing materials. The compositing process is explained in detail and shown in a simple practical example. For the conclusion a possible option for the future of the compositing process is presented. It uses a 3D technology, which could help separate the background from the object, in a similar way the color does in chroma key.
Keywords:Chroma key, greenscreen, matte, studio, subject


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