| | SLO | ENG | Cookies and privacy

Bigger font | Smaller font

Show document Help

Title:(Samo)cenzura v prevodih romana Koča strica Toma
Authors:ID Dolinar, Tina (Author)
ID Plemenitaš, Katja (Mentor) More about this mentor... New window
Files:.pdf UNI_Dolinar_Tina_2011.pdf (730,65 KB)
MD5: 3832349287543F08D8CFB7023A3632D5
PID: 20.500.12556/dkum/68e5265b-8680-4326-bd4e-5fe7e8e29c19
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:FF - Faculty of Arts
Abstract:Diplomsko delo proučuje (samo)cenzuro v slovenskih prevodih romana Koča strica Toma pisateljice Harriet Beecher Stowe. Pojma »cenzura« in »samocenzura« sta podrobno opredeljena, s poudarkom na (samo)cenzuri pri prevajanju. Poleg obstoječih slovenskih prevodov je predstavljen tudi sam roman in njegov pomen, vključno z razlogi za njegov nastanek. V osrednjo obravnavo sta zajeta prirejena prevoda angleškega izvirnika, bolj točno slovenski priredbi iz let 1934 in 1954. Ker sta bili oblikovani kot deli mladinske književnosti, je posebno poglavje posvečeno tudi temu vidiku ustvarjanja. Izvirno besedilo je bilo potrebno skrajšati in prirediti, da je ustrezalo mlajši ciljni publiki. Posledično je to pomenilo izpust in povezovanje poglavij ter posploševanje besedišča. Nadalje se delo osredotoča na družbenopolitično (samo)cenzuro v slovenskem prevodu iz leta 1954. Dokazovanje samocenzure določenih zgodovinskih dejstev in religioznih elementov v zgodbi temelji na primerjavi omenjenega prevoda z izvirnim besedilom in slovensko različico iz leta 1934, ob upoštevanju specifičnih družbenih, političnih, kulturnih in ideoloških okoliščin. Samocenzura je bila ugotovljena tako v obliki izpustov religiozno obarvanih in družbenopolitično spornih delov zgodbe kot tudi na mikrostrukturni ravni. Ker takšen »socialistično« okrnjen prevod in priredbo tega velikega protisužnjelastniškega romana beremo še danes, je skrajni čas za nov prevod, pa naj bo ta še vedno v prirejeni obliki za otroke in mladino ali integralni prevod, ki ga bodo v današnji svobodni Sloveniji radi brali stari in mladi.
Keywords:prevod, priredba, mladinska književnost, izpust, družbenopolitična cenzura in samocenzura, ideologija, religija, socializem.
Place of publishing:Maribor
Publisher:[T. Dolinar]
Year of publishing:2011
PID:20.500.12556/DKUM-20725 New window
UDC:821.111(73)(043.2)
COBISS.SI-ID:18771464 New window
NUK URN:URN:SI:UM:DK:IHMHLCHT
Publication date in DKUM:18.11.2011
Views:3789
Downloads:259
Metadata:XML DC-XML DC-RDF
Categories:FF
:
Copy citation
  
Average score:(0 votes)
Your score:Voting is allowed only for logged in users.
Share:Bookmark and Share



Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Secondary language

Language:English
Title:(Self-)censorhip in the translations of the novel Uncle Tom's Cabin
Abstract:The Diploma thesis studies (self-)censorship in the Slovene translations of the novel Uncle Tom's Cabin, written by Harriet Beecher Stowe. The terms »censorship« and »self-censorship« are defined in detail, with a special emphasis on (self-)censorship in translation. Besides the existing Slovene translations, the thesis also presents the original novel and its importance, including the reasons for its emergence. Main attention is paid to the adapted translations of the English original, namely the Slovene adaptations from years 1934 and 1954. As the Slovene versions were created as literature for children and youth, this aspect is considered in a special chapter. The original text needed to be shortened and adapted to suit the needs and abilities of a younger audience. Consequently, some chapters were omitted or combined with others, and the vocabulary was generalised. The Diploma thesis focuses on the socio-political (self-)censorship of the Slovene translation from 1954. Self-censorship of certain historical facts and religious elements of the story is proven by comparing the translation from 1954 to the original text and the Slovene version from 1934, and by taking into account the specific social, political, cultural and ideological circumstances. Self-censorship was detected in the form of omissions of religious and socio-politically controversial parts of the story and on the microstructural level. As such »socialistically« curtailed translation and adaptation of this great anti-slavery novel is still read today, it is high time for a new translation, regardless of whether it be an adaptation for children and youth, or an integral translation that the young people and adults now living in a free country of Slovenia will truly enjoy reading.
Keywords:translation, adaptation, youth literature, omission, socio-political censorship and self-censorship, ideology, religion, socialism.


Comments

Leave comment

You must log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back
Logos of partners University of Maribor University of Ljubljana University of Primorska University of Nova Gorica