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Title:Viteško pesništvo in kultura v Evropi in na Slovenskem
Authors:ID Uršič, Janja (Author)
ID Pavlič, Darja (Mentor) More about this mentor... New window
ID Ravnikar, Tone (Mentor) More about this mentor... New window
Files:.pdf UNI_Ursic_Janja_2011.pdf (1,03 MB)
MD5: D670330EC4962659E2C03E7B4B2E884F
PID: 20.500.12556/dkum/b467efb0-4be6-40d3-9174-9bf667c026cb
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:FF - Faculty of Arts
Abstract:Viteško pesništvo zagotovo sodi med največje umetniške dosežke fevdalne družbe. Ob do tedaj izključno cerkveni umetnosti se z viteškim pesništvom pojavi tudi pomembna posvetna umetnost. Viteška kultura je prva moderna oblika organizirane dvorske kulture. S stanovsko zavestjo viteštva se je prebudila tudi njegova zgodovinska zavest, da lahko njegovo umetniško delovanje obstaja neodvisno od cerkvenega. Viteško pesništvo in kultura sta presegla občutek narodnostne pripadnosti, zato lahko najdemo dela teh »potujočih srednjeveških pevcev« povsod po srednji Evropi, tudi na Slovenskem. Z viteškim pesništvom, ki se loteva predvsem ljubezenskih pesmi, narašča v srednjeveški umetnosti, kulturi in družbi tudi pomen ženske. Ženska ni več predstavljena zgolj kot skrbnica za potomstvo in domača opravila, ampak dobi tudi duhovno razsežnost. Viteško pesništvo in kultura sta se iz Francije prenesla tudi na Slovensko. Slovenski viteški liriki – Žovneški, Svibenski in Gornjegrajski – so se zgledovali po minezengerjih – neke vrste srednjeevropskih trubadurjih. V razvoju viteške lirike so časovno zaostajali za evropskimi modeli, zato jim v ohranjenih 12 pesmih ni več uspelo vnesti posebne izvirnosti. V svojih stvaritvah so se ukvarjali predvsem s slavljenjem izvoljenke, z zahtevo po plačilu, s tožbo nad tem, da jih Gospa ne ljubi, z oznanjanjem žalosti in z razmislekom o vzrokih za neodzivnost Gospe.
Keywords:KLJUČNE BESEDE: viteško pesništvo, trubadurji, trubadurska lirika, trubadurska ljubezen, minezengerji, minezang, minne, viteški liriki na Slovenskem, Svibenski, Žovneški, Gornjegrajski, Kodeks Manesse
Place of publishing:Maribor
Publisher:[J. Uršič]
Year of publishing:2011
PID:20.500.12556/DKUM-21428 New window
UDC:82(043.2)
COBISS.SI-ID:18856200 New window
NUK URN:URN:SI:UM:DK:GOQLFY4H
Publication date in DKUM:06.01.2012
Views:3405
Downloads:477
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:Chivalric poetry and culture in Europe and in Slovenian territory
Abstract:Chivalric poetry is definitely one of the greatest artistic achievements of the feudal society. Chivalric poetry signifies the emergence of secular poetry, since up to that time the extant poetry was exclusively religious. Chivalry and chivalric culture is the first modern form of organized courtly culture. The knighthood class gave rise to its historical awareness in the sense, that the chivalric art can grow independently from religious art. The chivalric poetry and culture have exceeded the national awareness and for this reason the works of travelling medieval singers are to be found all over Middle Europe, also in the Slovene territory. The chivalric poetry, focused in particular on love songs, contributed to the significance of a woman in the medieval art, culture and society. A woman is no longer merely a tool for descendants and housekeeping, a woman receives a certain spiritual dimension. Chivalric poetry and culture commenced in France and spread into Slovenian territory. Slovene chivalric poets, the Knight of Žovnek (Sanneck), the Knight of Svibno (Scharffenberg) and the Knight of Gornji Grad (Oberburg), followed Minnesingers' (Minnesänger) example, or, simply put, the troubadours from central Europe. Slovene chivalric poets conserved 12 love songs. The motifs in these songs were the glorification of the chosen lady, the fee claim, the lamentation over Lady's non-affection, the announcement of their sadness, the consideration of reasons for Lady's non-affection etc. Slovene chivalric poetry was lagging behind the other European models and for that reason Slovene chivalric poets did not succeed to introduce any excessive creativity to their songs.
Keywords:Keywords: chivalric poetry, troubadours, troubadour lyrics, troubadour love, Minnesingers, Minnesang, Minne, chivalric poets in Slovenian territory, the Knight of Svibno, the Knight of Žovnek, the Knight of Gornji Grad, Codex Manesse


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