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Title:Sviraj, Kranjčec! Od vaške godbe do koncertnega pihalnega orkestra
Authors:ID Slovenc, Mihaela (Author)
ID Kramberger, Igor (Comentor)
Files:.pdf UNI_Slovenc_Mihaela_2011.pdf (1,44 MB)
MD5: 93920ED36FC9EB67A61316021FAA6282
PID: 20.500.12556/dkum/a7d9c886-f8c5-4b3c-92bb-d52823344df9
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:FF - Faculty of Arts
Abstract:Pihalni orkester Kapele je eden najstarejših pihalnih orkestrov v Sloveniji (najstarejše naj bi bilo Godbeno društvo rudarjev Idrija, ki po vseh podatkih deluje že od leta 1665, za njim je Postojnska godba, ki naj bi nastopala od leta 1808, potem Mestna godba Metlika z letnico ustanovitve 1829 in za temi sledi Pihalni orkester Kapele), saj so ga ustanovili leta 1850. S kapelsko godbo (kot ji pravimo domačini) živi celotna krajevna skupnost in tudi občina, saj nas le-ta spremlja na različnih prireditvah in veselicah in prav za nas pripravlja letne koncerte z znanimi in manj znanimi kvalitetnimi glasbenimi gosti. Kljub njenim »letom« pa do leta 2010, ko je nastal zbornik o kapelski godbi, ni bilo na razpolago nobene knjige, ki bi jo opisovala od njenega nastanka pa do današnjih dni. To je bila priložnost tudi zame, da kot študentka sociologije ta zbornik povežem s svojo diplomsko nalogo in opišem kapelsko »plehmuziko« ter njen nastanek povežem z zgodovino glasbe in godbeništva v Evropi in na Slovenskem. Cilj dela je bil opis godbeništva v Kapelah z umestitvijo tega v slovenski prostor in doseči jasno predstavo o delovanju Pihalnega orkestra Kapele. Pregledala sem razpoložljive vire in literaturo ter iskala druge arhivske vire. Obiskala sem Zgodovinski arhiv Celje in Slovansko knjižnico Ljubljana. Brskala sem po kroniki OŠ Dobova PŠ Kapele, iskala gradivo v Knjižnici Brežice in pridobila nekaj gradiva iz arhiva ZKD Brežice, arhiva Pihalnega orkestra Kapele. Pomembni viri pa so bili osebni arhivi godbenic in godbenikov. Med aktivnimi člani pihalnega orkestra sem opravila še anketo. S pomočjo različnih primerjav, študij in analiz je mogoče zaključiti, da je bila kapelska godba v okviru vsakdanjega in prazničnega življenja ljudi v Kapelah in okolici bliže tradiciji godčevstva, znotraj narodno-političnih in verskih dogodkov pred prvo vojno, med obema vojnama ter v okviru družbeno-političnih prireditev po drugi vojni pa bliže funkciji in značilnostim vojaških godb. Danes je funkcija takega orkestra predvsem promocija kraja in države na različnih koncertih in tekmovanjih doma in po svetu. Ni dovolj le igranje, potrebno je vedno bolj kakovostno orkestriranje.
Keywords:Pihalni orkester Kapele, kapelska godba, orkester, Kapele, koncerti, prireditve, veselice, godci, godbeniki, kapelnik.
Place of publishing:Brežice[i.e. Maribor]
Publisher:[M. Slovenc]
Year of publishing:2011
PID:20.500.12556/DKUM-21706 New window
UDC:78
COBISS.SI-ID:512974444 New window
NUK URN:URN:SI:UM:DK:HZXLGPFM
Publication date in DKUM:28.02.2012
Views:2807
Downloads:209
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:Play, little Kranjec! From a village band to a concert wind orkestra
Abstract:The Kapele Wind Orkestra is one of the oldest in Slovenia (the oldest is supposedly the Idrija Wind Orkestra Society, which has been active since 1665, followed by the Postojna Orkestra, which has been performing from 1808, then the Metlika Town Orkestra, founded in 1829 and the next is the Kapele Wind Orkestra), which is establishment in 1850. The Kapele orkestra is an integral part of the local community as well as the municipality, since it accompanies us at different events and hosts annual concerts with famous and less famous musical guests. However, despite its age was no written form until 2010, when arised the anthology about the Kapele orkestra that would describe it from its beginning up to modern days. It was a perfect opportunity also for me as a student of sociology to connect this anthology with my diploma work and to describe The Kapele Wind Orkestra and to connect its beginning with the history of wind orkestras in Europe and Slovenia. The aim of the diploma work was to describe the wind orkestra in Kapele with the placement of the Slovenian territory and to develop a clear picture of the operation of Wind Orkestra Kapele. I reviewed the literature and available resources and seek other archival sources. I visited the Historical Archives Celje and Ljubljana Slavic library. I was browsing chronicle Dobova – Kapele School, looking for material in the Library Brežice and gained some material from the archive ZKD Brežice Kapele Wind Orchestra archives. Important resources were personal archives Contracting State and musicians. Among the active members of the orkestra, I passed the interview. Using different comparisons, studies and analyses it could be concluded that the Kapele orchestra – within the everyday and festive life of the Kapele people – was closer to the tradition of folk music in the framework of political and religious manifestations before the World War One and between both wars. This changed after the World War Two whwn the band was closer to the military band based on its function and other characteristics. Today the function of such orkestra as the Kapele Wind Orkestra is foremost the promotion of the town and country at different concerts and competitions home and abroad. But only playing music is not enough – the music needs to be of high quality.
Keywords:Kapele Wind Orkestra, Kapele band, orkestra, Kapele, concerts, events, fairs, musicians, bandsmen, conductor.


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