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Title:RASTLINSKI MOTIV V SLIKARSTVU
Authors:ID Pevnik, Mateja (Author)
ID PANDUR, LUDVIK (Mentor) More about this mentor... New window
Files:.pdf UNI_Pevnik_Mateja_2011.pdf (5,62 MB)
MD5: 6836882651BEC3D18523F75A9A3F55D1
PID: 20.500.12556/dkum/eeebc06c-447b-4328-a279-75988bcfb828
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:PEF - Faculty of Education
Abstract:Rastlinski motiv je bil skozi razvoj človeštva in njegovega ustvarjanja vseskozi prisoten, a zelo dolgo pomaknjen v ozadje. Pomemben prelom je bilo 17. stoletje v Evropi, ko je cvetno tihožitje postalo samostojen motiv. Rastlinstvo, ne samo rože pa je bilo vodilna inspiracija mojstrov art nouveauja. Od takrat naprej se je veliko umetnikov iz različnih likovnih smeri in stilov dotaknilo tega motiva, a le redki so se posvetili izključno njemu. Zelo individualno in kreativno interpretacijo rastlinskega sveta – predvsem cvetja, je proti koncu 19. in na začetku 20. stoletja podala ameriška slikarka Georgia O’Keeffe. Cvetje je močno povečevala in velikokrat je segalo preko robov slike. Motive je poenostavljala ter očiščevala tako dolgo, da so dela odražala srž − bistvo naslikane cvetlice. Inovativna je bila tudi perspektiva, ki jo lahko enačimo s perspektivo insekta. Tudi slovenski umetniki so slikali cvetje in v dela vpeljevali različne rastlinske motive. V diplomskem delu je bolj podrobno predstavljena mariborska slikarka Ida Brišnik Remec, ki je v letih 1960–1970 sooblikovala likovno ustvarjanje v Mariboru. Rastlinski motiv predstavlja pomemben del njenega slikarskega opusa in jo inspirira še danes.
Keywords:Tihožitje, rastlinski motiv, cvetni motiv, Georgia O’Keeffe, Ida Brišnik Remec.
Place of publishing:Maribor
Publisher:[M. Pevnik]
Year of publishing:2011
PID:20.500.12556/DKUM-21731 New window
UDC:73/76(043.2)
COBISS.SI-ID:18924040 New window
NUK URN:URN:SI:UM:DK:XU573LZC
Publication date in DKUM:27.02.2012
Views:3462
Downloads:225
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:FLORAL MOTIFS IN PAINTING
Abstract:Plant motive was present throughout human development and creation, but it was in the background for a very long time. An important breakthrough was in the 17th century in Europe, when floral still life became independent motive. Plants, not only flowers, were the leading inspiration in modern style artists or masters of art nouveau. From then on a lot of artists from different artistic disciplines and styles touched this motive, but only few of them were dedicated exclusively to it. At the end of 19th century and in the beginning of 20th century American painter Georgia O’Keeffe gave a very individual and creative interpretation of plant kingdom – mostly flowers. She enlarged the flowers, so they often reached over the edges of the painting. She simplified and purified motifs so long that paintings reflected the heart, essence of painted flower. She was also innovative in the perspective, which can be identified with an Insect’s perspective. Slovene artists as well painted flowers and incorporated different plant motifs in their works. This diploma paper also represents painter Ida Brišnik Remec from Maribor, who in 1960–1970 co-designed artistic creation in Maribor. Plant motive represents an important part of her painting opus and is inspiring her still.
Keywords:Still life, plant motive, floral motive, Georgia O’Keeffe, Ida Brišnik Remec.


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