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Title:FENOMEN IDENTIFIKACIJE V SLIKARSTVU
Authors:ID Vrbanec, Vanja (Author)
ID PANDUR, LUDVIK (Mentor) More about this mentor... New window
Files:.pdf UNI_Vrbanec_Vanja_2012.pdf (1,60 MB)
MD5: B6CE78B5827A7949FBF51AE6F380C759
PID: 20.500.12556/dkum/cf7c6075-1180-473e-9ab6-e4cbd349ad38
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Diplomsko delo "Fenomen identifikacije v slikarstvu" je sestavljeno iz dveh delov. Prvi del je teoretičen in se navezuje na osnove ustvarjalnosti, iz katere izhajajo nove smeri na področju slikarstva. V nadaljevanju se teoretični del posveča abstraktnemu slikarstvu ter metodi komparacije dveh umetnikov iz različnih obdobji z različnimi umetniškimi pristopi. Fenomen abstraktnosti in vloga abstraktnosti odpirata slikarstvu nove dimenzije. Pojav novih smeri na področju umetnosti in v slikarstvu narekuje napredek. Na umetniška dela vpliva več zunanjih faktorjev, posebej družba, ki oblikuje identiteto umetnikov v umetnosti. Drugi del diplomske naloge, ki je praktičen, predstavlja moje zadnje kreativno dejanje v času študija. Diplomsko delo izpostavlja predvsem pomen identifikacije kot rezultat usmerjene ustvarjalnosti vsakega posameznika, na definiranost katere vplivajo različni pogoji, ki so ključni za umetnikovo opredelitev. V času izdelave diplomskega dela sem prepoznal tudi samega sebe, in sicer v praktičnem delu diplomske naloge, zlasti na področju abstraktnega slikarstva. Identifikacija v slikarstvu je zagotovo ključni faktor pri vsakem umetniku.
Keywords:umetniški pristopi, identifikacija v slikarstvu, abstraktnost, ustvarjalnost.
Place of publishing:Maribor
Publisher:[V. Vrbanec]
Year of publishing:2012
PID:20.500.12556/DKUM-26810 New window
UDC:73/76(043.2)
COBISS.SI-ID:19253256 New window
NUK URN:URN:SI:UM:DK:GHVPYEUY
Publication date in DKUM:13.07.2012
Views:2439
Downloads:172
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:PHENOMENON OF IDENTIFICATION IN THE PAINTING
Abstract:Thesis "The phenomenon of identification in painting" is composed of two parts. The first part is theoretical and relates the basics of creativity which are reasons for new directions in field of painting. The following theoretical part is dedicated to abstract painting and comparison method of two artists from different periods with different artistic approaches. Abstract phenomenon and the role of abstract painting are opening new dimensions. The emergence of new directions in art and in painting are dictating progress. The artwork is influenced by several external factors, especially a society which determines the identity of artists in art. The second part of the thesis, which is practical, is my last creative act in the study period. Thesis highlights the particular importance of identification as a result of oriented creativity of each individual on whose identity are influenced various terms that are key to the artist's definition. At the time of diploma I also recognized myself, in the practical part of the thesis, particulary in the field of abstract painting. Identification of the painting is certainly a key factor at any artist.
Keywords:artistic approaches, identification in painting, abstraction, creativity.


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