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Title:FENOMEN RAZMERIJ V LIKOVNEM IZRAZU IN STRUKTURIRANOST SLIKOVNE POVRŠINE
Authors:ID Pečnik, Iva (Author)
ID Rimele, Oto (Mentor) More about this mentor... New window
Files:.pdf UNI_Pecnik_Iva_2012.pdf (27,11 MB)
MD5: 38A398F59BE4B6477F2FA2D7E09E8AC0
PID: 20.500.12556/dkum/64d26af3-f7c5-461b-a8a5-e6b1d05cbe7c
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Osrednja tema diplomske naloge je bila raziskava prostorskih razmerij, ki so bila skozi zgodovino prisotna na različnih področjih umetniškega delovanja in so bila predmet mnogih raziskav ter poskusov generalizacije. Pregled preučevanj in uporabe proporcionalnih teorij skozi zgodovinska obdobja je pokazal, da je razumevanje in uporaba razmerij v tesni povezavi z določenim časovnim obdobjem. Izpostavljen je bil zlati rez kot univerzalno razmerje v naravi in umetnosti. Obravnavan je bil vpliv razmerij na kompozicijo, vsebino umetniškega dela in vizualno zaznavanje. S tega stališča je bila pozornost usmerjena tudi na gestalt psihologijo. Izpostavljena umetniška zvrst je bilo slikarstvo, pri čemer je bil poudarek predvsem na samem formatu in strukturni razdelitvi notranje slikovne površine. Obravnavani so bili različni načini členitve formata, ki lahko služijo kot smernice pri komponiranju. Bodisi zavestno določena ali izbrana po občutku, so v likovnem izrazu razmerja vedno intencionalna in niso slučajna, kar se je utemeljilo tudi skozi praktični del. Zmeraj je v ospredju celota, ki je rezultat ustvarjalnega izraza, subjektivnosti in sposobnosti usklajevanja vseh sestavnih delov umetniškega dela, od prostorskih odnosov med likovnimi elementi, delujočih napetosti, kompozicijskih zakonitosti do vsebine oz. sporočila, ki ga želi likovno delo posredovati.
Keywords:razmerje, proporc, zlati rez, antropometrični sistem, format, notranja struktura formata, gestalt
Place of publishing:Maribor
Publisher:[I. Pečnik]
Year of publishing:2012
PID:20.500.12556/DKUM-37637 New window
UDC:7.01(043.2)
COBISS.SI-ID:19390216 New window
NUK URN:URN:SI:UM:DK:AFUUKMCW
Publication date in DKUM:04.10.2012
Views:3326
Downloads:319
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:THE PHENOMENON OF PROPORTIONS IN ARTISTIC EXPRESSION AND STRUCTURE OF THE PAINTING SURFACE
Abstract:The purpose of this thesis was to research the spatial proportions that have been present in all fields of art throughout history. These proportions have often been subject to research and attempts of generalisation. The study of researches and uses of proportional theories through historic periods has shown that the understanding and the use of proportions are closely connected to the certain historic period. The golden section has always been exposed as a universal proportion in nature and art. The influence of proportions on a composition, on the contents of the work of art as well as on the visual perception, was also examined. From this point of view special attention was also paid to gestalt psychology. The exposed form of art was painting, the highlights were on its format and the structure of the painted surface. Different ways of format structuring that can serve as guidelines for composing were discussed. Proportions, whether consciously or intuitively chosen, are always intentional in an artistic expression and are not accidental, which was proven through the practical part as well. The integrity of a painting is always in the foreground. It is a result of the artistic expression, subjectivity and the ability to harmonize all the consisting parts of a work of art, including spatial relationships between elements of fine arts, tensions and rules of composition, regarding the contents and the message of a work of art.
Keywords:ratio, proportion, golden section, anthropometric system, format, internal format structure, gestalt


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