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Title:NEY ROSAURO - KONCERT ZA VIBRAFON IN ORKESTER
Authors:ID Hojsak, Antonio (Author)
ID Kobal, Cveto (Mentor) More about this mentor... New window
Files:.pdf UNI_Hojsak_Antonio_2012.pdf (4,43 MB)
MD5: 670A764BA975B41A7246D2D029475A0F
PID: 20.500.12556/dkum/bf74d584-2f9a-4109-a4ce-1131d81f09e5
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Na podlagi sistematične analize izsledkov iskanja virov ter doslej opravljenih raziskav skuša pričujoče diplomsko delo določiti vlogo in pomen Rosaurovega skladateljskega in poustvarjalnega dela v svetovni kulturi ter natančneje proučiti njegovo delo Koncert za vibrafon in orkester. Metodološko je diplomsko delo zasnovano na načelu iskanja arhivskih virov o življenju Neya Rosaura in njegovem delu Koncert za vibrafon in orkester, ter primerjave arhivskih virov in doslej opravljenih raziskav, torej analize obstoječega poznavanja Rosaurovega življenja in dela. V osrednjem delu diplomskega dela nam avtor predstavi skladatelja in njegov opus, njegovo delo. Prav tako nam bo avtor skozi diplomsko delo predstavil inštrument vibrafon, za katerega je bil Koncert za vibrafon in orkester tudi napisan. Ob tem bo na kratko označil in opisal glavne značilnosti nekaterih drugih tolkal, saj lahko edino tako dobimo vpogled na pomembno mesto med tolkali, ki ga zaseda vibrafon. Tako bomo spoznali vibrafon kot inštrument, tolkalo, njegov izvor in razvoj, tehnike igranja nanj ter različne udarjalke, s katerimi lahko na ta inštrument igramo. V osrednjem delu nam je avtor pripravil tudi analizo samega Koncerta za vibrafon in orkester. Delo obsega 3 stavke, tako je vsak stavek posamezno okvirno analiziran, harmonsko in ritmično. V sklepu avtor povzame obravnavano snov in predstavi svoje poglede in čustva ob študiju in izvajanju dela Koncert za vibrafon in orkester. Zagovor diplomskega dela vsebuje tudi izvedbo analiziranega dela, napisanega za vibrafon in orkester, vseh treh stavkov, v tem primeru ob klavirski spremljavi. Gre torej za teoretično in praktično diplomsko delo.
Keywords:Ney Rosauro, Koncert za vibrafon in orkester, Instrument, Tolkala, Vibrafon
Place of publishing:Maribor
Publisher:[A. Hojsak]
Year of publishing:2012
PID:20.500.12556/DKUM-37763 New window
UDC:78(043.2)
COBISS.SI-ID:19411208 New window
NUK URN:URN:SI:UM:DK:ZLJGTUE9
Publication date in DKUM:11.10.2012
Views:2631
Downloads:292
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:NEY ROSAURO - CONCERTO FOR VIBRAPHONE AND ORCHESTRA
Abstract:On the basis of the systematic analysis of the sources search results and the past research studies the following thesis strives towards determining the role and the importance of Ney Rosauro’s composing and reproducible work in the world culture, and to thoroughly study his piece Concerto for vibraphone and orchestra. The thesis is methodologically formulated on the principle of archival material search on the life of Ney Rosauro and his piece Concerto for vibraphone and orchestra, and of the archival material comparison and the past research studies, in other words of the analysis of the existing knowledge of Rosauro’s life and work. In the central part of the thesis the author presents the composer and his opus, his work. Throughout the thesis the author also presents the inštrument, vibraphone, for which the Concerto for vibraphone and orchestra was composed. Furthermore the author briefly describes the main characteristics of some other percussion, since this is the only way to get a grasp of the important position that the vibraphone has amongst the percussion. In this manner the vibraphone is presented as an inštrument, the percussion, along with its origin and development, playing techniques and various vibraphone mallets, with which the inštrument is played. The central thesis part also includes the analysis of the Concerto for vibraphone and orchestra. The piece consists of three sentences, with each being analysed separately, harmonically and rhythmically. In the conclusion the author sums up the subject matter and presents his own perspective and feelings on studying and playing the piece Concerto for vibraphone and orchestra. The oral exam includes also the performance of all three sentences of the analysed piece, composed for the vibraphone and the orchestra, in this instance with piano accompaniment. The thesis therefore consists of a theoretical and a practical part.
Keywords:NEY ROSAURO, CONCERTO FOR VIBRAPHONE AND ORCHESTRA, INŠTRUMENT, PERCUSSION, VIBRAPHONE


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