KONCEPTUALNA PARADIGMA V UMETNOSTI POSTMODERNIZMA ZNOTRAJ DEL ERWINA WURMA

Jarc, Matej

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Title:	KONCEPTUALNA PARADIGMA V UMETNOSTI POSTMODERNIZMA ZNOTRAJ DEL ERWINA WURMA
Authors:	ID Jarc, Matej (Author) ID Zidar, Dušan (Mentor) More about this mentor...
Files:	UNI_Jarc_Matej_2013.pdf (70,71 MB) MD5: 86259C962ACC574722917E62520B2E7B PID: 20.500.12556/dkum/c4481313-fb1e-4212-a540-b9596b8d336e
Language:	Slovenian
Work type:	Undergraduate thesis
Typology:	2.11 - Undergraduate Thesis
Organization:	PEF - Faculty of Education
Abstract:	V diplomskem delu raziskujem polje konceptualizma in njegov prehod iz modernizma v postmodernizem. Konceptualizem je odločilno vplival na postmodernistično umetnost, saj je radikalno razširil pojem interpretacije umetnosti in umetniškega objekta. Z vnašanjem in kombinacijo različnih umetniških pristopov je razvil nove umetniške forme, pri čemer je izhajal iz Duchampovega ready-made objekta. Poglavitno vlogo konceptualizma je odigrala družbenokritična refleksija umetniškega dela, ki je težila h kritičnemu prevpraševanju ustaljenih družbenih praks in načel, ter je postala poglaviten element kvalitete konceptualnega dela. S prehodom umetnosti iz modernizma se je vsebina konceptualizma pričela prilagajati okolju postmodernistične umetnosti. V delih, ki jih nekateri imenujejo postkonceptualna ali neokonceptualna, tako opažamo manjšo stopnjo družbenokritične refleksije in večji poudarek na estetski ravni umetnine. V nalogi poskušam najti korelacijo med deli avstrijskega umetnika Erwina Wurma, ki deluje znotraj postkonceptualne usmeritve, in deli umetnikov, ki so delovali v obdobju zrelega konceptualizma. Za razumevanje zrelega konceptualizma izpostavljam dela Marcela Duchampa, Sola LeWitta, Paula Kosa, Johna Murphyja, Marine Abramović, Johna Hillarda in Victorja Burgina. Prav tako v nalogi izpostavljam dela Andyja Warhola in Anye Gallacio, s katerimi želim bralcu približati razvoj postmodernistične umetnosti. Stičišče med omenjenimi deli želim vzpostaviti s pomočjo raziskovanja kritične refleksije likovnega dela. Pri tem opažam, da je ta v nekaterih delih postkonceptualizma še vedno namensko prisotna kot ena izmed strategij umetniškega delovanja, medtem ko v drugih dobiva prikrit pomen, saj je umetniško delo samo po sebi reprezentacija stvarnosti, do katere lahko gojimo kritičen odnos.
Keywords:	modernizem, postmodernizem, konceptualizem, postkonceptualizem, ready-made, instalacija, kritična refleksija, kritičen diskurz, interpretacija, reprezentacija.
Place of publishing:	Maribor
Publisher:	[M. Jarc]
Year of publishing:	2013
PID:	20.500.12556/DKUM-39754
UDC:	73/76(043.2)
COBISS.SI-ID:	19767560
NUK URN:	URN:SI:UM:DK:BKGOQJDD
Publication date in DKUM:	27.03.2013
Views:	3507
Downloads:	506
Metadata:
Categories:	PEF
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Secondary language

Language:	English
Title:	THE CONCEPTUAL PARADIGM IN POSTMODERN ART WITHIN THE WORKS OF ERWIN WURM
Abstract:	The diploma paper researches the field of conceptualism and its transition from modernism into postmodernism. Conceptualism has decisively influenced postmodernist art due to the fact that it has radically broadened the concept of the interpretation of art and the artistic object. It has developed new artistic forms by adding and combining different artistic approaches drawing from Duchamp’s ready-made object. The principle role of conceptualism was played by socially critical reflexion of an artwork which gravitated towards critical questioning of set social practices and principles and has become the major element of quality of a conceptual work. With the transition of art away from modernism the content of conceptualism has started adapting to the environment of postmodernist art. Works classified by some as post conceptual or neo conceptual thus exhibit a lower degree of socially critical reflexion and put more emphasis on the aesthetic level of the artwork. This diploma paper tries to find the correlation between the work of the Austrian artist Erwin Wurm who works in the field of post conceptual art and works of artists who worked in the peak of the conceptualist period. For the understanding of the peak of conceptualism the paper presents works of Marcel Duchamp, Sol LeWitt, Paul Kos, John Murphy, Marina Abramović, John Hillard and Victor Burgin. The paper also presents works by Andy Warhol and Anya Gallacio to present the reader with the development of postmodernist art. The juncture between the works mentioned will be presented with the help of exploring the critical reflexion of an artwork. Here it is evident that some works of post conceptualism contain it as purposely present as one of the strategies of artistic expression, whereas in others it is gaining an undercurrent meaning because the artwork is itself a representation of reality towards which we can have a critical relationship.
Keywords:	modernism, postmodernism, konceptualism, postkonceptualism, ready-made, instalation, critical reflexion, critical discourse, interpretation, representation.

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