UMETNOST DRUGE POLOVICE 20. STOLETJA V MARIBORU V LIKOVNIH KRITIKAH SERGEJA VRIŠERJA (1920-2004)

Karba, Tjaša

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Title:	UMETNOST DRUGE POLOVICE 20. STOLETJA V MARIBORU V LIKOVNIH KRITIKAH SERGEJA VRIŠERJA (1920-2004)
Authors:	ID Karba, Tjaša (Author) ID Ciglenečki, Marjeta (Mentor) More about this mentor...
Files:	UNI_Karba_Tjasa_2013.pdf (1,63 MB) MD5: 1DB5A60217BA784130C2D9DF75D46F65
Language:	Slovenian
Work type:	Bachelor thesis/paper
Typology:	2.11 - Undergraduate Thesis
Organization:	FF - Faculty of Arts
Abstract:	V diplomski nalogi je obravnavan umetnostni zgodovinar Sergej Vrišer (1920–2004), ki je poznan predvsem kot poznavalec baročnega kiparstva. Manj znano in zlasti manj upoštevano pa je dejstvo, da je bil sistematičen in pronicljiv opazovalec sodobnega likovnega dogajanja in je s svojo kritično mislijo veliko pripomogel k razvoju in uveljavljanju sodobne likovne umetnosti v Mariboru. Svoja opažanja in mnenja je sistematično objavljal v več slovenskih revijah in časopisih, tako da je s tem ustvaril celovit vpogled v tedanjo umetniško sceno. Skozi njegov kritični pogled je predstavljeno takratno aktualno mariborsko kulturno dogajanje, ki se je po drugi svetovni vojni zelo razmahnilo in doseglo svoj prvi višek z ustanovitvijo Umetnostne galerije Maribor (7. februar 1954), ki je imela pomembno vlogo pri rasti in razvijanju umetniških hotenj. Na osnovi Vrišerjevih zapisov sem sestavila kronološki pregled takrat delujočih umetnikov, za katerih opus se je zanimal Sergej Vrišer. S tem sem želela podati Vrišerjev pogled na mariborsko likovno dogajanje in izpostaviti poudarke, ki so se njemu zdeli najpomembnejši, in ki so tudi sicer najvidnejše vplivali na razvoj mariborske likovne umetnosti ter sočasnega kulturnega dogajanja. Med slikarji starejše generacije v Vrišerjevih prispevkih izstopata Ivan Kos in Ante Trstenjak, v srednji generaciji slikarja Maks Kavčič in Lajči Pandur. Janez Vidic in Rudolf Kotnik sta zaznamovala mlajšo generacijo slikarjev. Najvidnejši med mariborskimi grafiki je Bojan Golija. Predstavljeno pa je tudi kiparstvo, ki je bilo kljub manjši zastopanosti, kvalitetno. Najpomembneje je likovno sceno zaznamoval akademski kipar Slavko Tihec. Pomembno mesto pa so zasedali tudi Gabrijel Kolbič, Milan Vojsk ter kiparka Vlasta Zorko Tihec, ki je prijateljevala s Sergejem Vrišerjem in v Mariboru postavila mnogo kiparskih del.
Keywords:	Sergej Vrišer, Umetnostna galerija Maribor, mariborska likovna kritika, mariborska moderna umetnost, mariborski likovni umetniki
Place of publishing:	Maribor
Publisher:	[T. Karba]
Year of publishing:	2013
PID:	20.500.12556/DKUM-41594
UDC:	73/76(043.2)
COBISS.SI-ID:	20065032
NUK URN:	URN:SI:UM:DK:4WBVSQKC
Publication date in DKUM:	20.09.2013
Views:	3354
Downloads:	433
Metadata:
Categories:	FF
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Secondary language

Language:	English
Title:	THE ART OF THE SECOND HALF OF THE 20TH CENTURY IN MARIBOR THROUGH THE ART REVIEWS OF SERGEJ VRIŠER (1920–2004)
Abstract:	The present diploma paper presents the work of art historian Sergej Vrišer (1920–2004), known mainly as a connoisseur of baroque sculpture. Less widely known and acknowledged, however, is the fact that he was a systematic and acute observer of developments in contemporary art, as well as the fact that his critical thought greatly contributed to the development and establishment of contemporary art in the city of Maribor. He systematically published his observations and opinions in several Slovenian journals and newspapers, creating a comprehensive overview of the contemporary art scene. Through his critical eyes, he presented the cultural developments of his time in Maribor, which greatly increased in the wake of World War II, and reached its peak with the foundation of the Maribor Art Gallery (7 February 1954), which played an important role in stimulating the growth and development of artistic ambitions. Based on Vrišer’s notes, I have prepared a chronological overview of artists active at the time, whose bodies of work were of particular interest to Sergej Vrišer. By doing so I wanted to present Vrišer’s perspective on the art developments in Maribor and offer some highlights which he felt were the most important, and which offered the most transparent insight into the development of Maribor’s art history and cultural activity taking place at the same time. Among the older generation of painters, Vrišer’s notes prominently mention Ivan Kos and Ante Trstenjak, and among the middle generation, painters Maks Kavčič and Lajči Pandur are mentioned. Janez Vidic and Rudolf Kotnik are featured among the younger generation of painters. The most prominent of Maribor’s graphic artists is Bojan Golija. Sculpture is also presented, which was of high quality, albeit less represented. Academic sculptor Slavko Tihec had the strongest impact on the the visual art scene. Other important representatives include Gabrijel Kolbič, Milan Vojsk and female sculptor Vlasta Zorko Tihec, who was a friend of Sergej Vrišer and set up many sculptures in Maribor.
Keywords:	Sergej Vrišer, Maribor Art Gallery, Maribor art criticism, Maribor contemporary art, Maribor visual artists

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