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Title:ODMEVI OTROŠKE LIKOVNE PRIMARNOSTI V MODERNIZMU IN SODOBNI UMETNOSTI
Authors:ID Kelenc, Doroteja (Author)
ID Puncer, Mojca (Mentor) More about this mentor... New window
Files:.pdf UNI_Kelenc_Doroteja_2013.pdf (1,74 MB)
MD5: E89A2687CF60AE2329D585BE5DE33E48
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Abstract:V diplomskem delu želim predstaviti vpliv otroške likovne primarnosti v modernizmu in sodobni umetnosti. Za lažji prehod k jedru problematike sem prvi del posvetila pojmu modernizma, simboliki barve ter otroški risbi. Sledi primerjava del tako svetovnih kot tudi slovenskih umetnikov, tako sem obravnavala dela Paula Kleeja (Adam in mala Eva, 1921), Joana Mirója (Bikoborba, 1945), Jeana Dubuffeta (Ženska meša kavo, 1945), Gabriela Stupico (Skica za deklico pri mizi z igračami, brez signacije), Vladimirja Makuca (Bela ptica, 1986). Zadnji del posvečam slovenski sodobni umetnici Saši Bezjak (1971), ki je zavestno opustila akademskost in se obrnila k sebi. V otroško risbo, prepleteno z likovno primarnostjo in minimalnimi izrazili, pa je vpletla svojo osebno zgodbo. Diplomsko delo temelji na prepoznavanju in interpretaciji teh del kakor tudi na primerjavi z otroško izraznostjo ter primarnostjo. Dotika se vprašanj univerzalnosti likovne govorice ter uporabe minimalnih izraznih in likovnih sredstev.
Keywords:Modernizem, slovenska sodobna umetnost, otroška risba, likovna primarnost, otroška izraznost, Joan Miró, Paul Klee, Jean Dubuffet, Gabriel Stupica, Vladimir Makuc, Saša Bezjak
Place of publishing:Maribor
Publisher:[D. Kelenc]
Year of publishing:2013
PID:20.500.12556/DKUM-41981 New window
UDC:73/76(043.2)
COBISS.SI-ID:20065544 New window
NUK URN:URN:SI:UM:DK:OQMUEL24
Publication date in DKUM:20.09.2013
Views:2397
Downloads:302
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:ECHOES OF THE CHILDREN´S FINE ART PRIMALITY IN MODERNISM AND CONTEMPORARY ART
Abstract:In my diploma work I want to present an influence of the child’s fine arts primacy in modernism and in the contemporary art. With an intention to make a transition easier I have dedicated the first part to the concepts of modernism, of symbolism of colours and of a child’s drawing. Then there follows a comparison of works of the world’s, as well as of the Slovenian artists. Thus I have dealt with the works of Paul Klee (Adam and Little Eve, 1921), Joan Miro (Bullfight, 1945), Jean Dubuffet (A Woman Stirring Coffee, 1945), Gabriel Stupica (A Sketch for a Girl at a Table with Toys, without a signature), Vladimir Makuc (A White Bird, 1986). I dedicate the last part to the Slovenian contemporary artist Saša Bezjak (1971) who has wilfully waived academic ways. She has turned into herself and into the child’s drawing and she has interlaced the fine arts primacy and minimal expressions into her personal story. The diploma work is based on the recognizing and the interpretation of these works and as well it is based on the comparison with the child’s expression and the primacy. It meets the questions of universality of the fine arts speech and the questions of using the minimal expressive and fine arts means.
Keywords:Modernism, Slovenian contemporary art, a child’s drawing, a fine arts primacy, a child’s expression, Joan Miro, Paul Klee, Jean Dubuffet, Gabriel Stupica, Vladimir Makuc, Saša Bezjak


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