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Title:NOVINARSKA FOTOGRAFIJA V MNOŽIČNIH MEDIJIH
Authors:ID Rems, Alja (Author)
ID Družovec, Marjan (Mentor) More about this mentor... New window
Files:.pdf UNI_Rems_Alja_2014.pdf (9,58 MB)
MD5: 021D6FF6585359E5FA6C8344EA755E96
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:FERI - Faculty of Electrical Engineering and Computer Science
Abstract:Vizualna vsebina predstavlja nepogrešljivi del sodobne množične komunikacije. Čeprav se je morda zdelo, da bo gibljiva slika povsem zasenčila statično fotografijo, je v kontekstu množičnih medijev prav slednja še zmeraj tisti element, ki nagovarja bolj osebno, ob tem pa pušča veliko prostora in predvsem časa za analizo in kontemplacijo. V diplomskem delu predstavljamo novinarsko fotografijo, katere sporočilnost in tematika presegata mimobežnost dnevnih novic. Obravnavamo jo kot medij sporočanja, ozaveščanja in manipulacije javnosti, ki s svojo specifično prepričljivostjo posega na področja etike, estetike, umetnosti in simbolnega, s čimer pomembno prispeva k ohranjanju vrednot in kulturne tradicije zahodne civilizacije.
Keywords:Množični mediji, propaganda, fotografija, novinarska fotografija, etika, estetika, vizualno sporočanje, vizualna pismenost, simbolize
Place of publishing:Maribor
Publisher:[A. Rems]
Year of publishing:2014
PID:20.500.12556/DKUM-44289 New window
UDC:659.148:77(043.2)
COBISS.SI-ID:17983766 New window
NUK URN:URN:SI:UM:DK:KSDLXRE2
Publication date in DKUM:11.06.2014
Views:2561
Downloads:282
Metadata:XML DC-XML DC-RDF
Categories:KTFMB - FERI
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Secondary language

Language:English
Title:PHOTOJOURNALISM IN THE MASS MEDIA
Abstract:Visual content represents an indespensable part of contemporary mass communication. Although it may seem that moving pictures could have completely overshadowed still photography, in the contex of mass media the latter still remains the very element that continues to address the subject in a more personal manner while leaving space and, above all, time for analysis and contemplation. The thesis introduces journalistic photography and how its ability to communicate and its breadth of subject exceeds that of transient everyday news. It is discussed as a medium of communication, awareness-raising and manipulation of the public. By employing its specific cogency, it interferes in fields of ethics, aesthetics, art and the symbolic and thus significantly contributes to the preservation of cultural values and traditions of Western civilisation.
Keywords:Mass media, propaganda, photography, photojournalism, etics, estetics, visual communication, visual literacy, symbolism


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