| | SLO | ENG | Cookies and privacy

Bigger font | Smaller font

Show document Help

Title:CEZANNOV PRINCIP GRADNJE AKVARELA
Authors:ID Hudin, Darja (Author)
ID Balažic, Janez (Mentor) More about this mentor... New window
ID Krašna-Kocijan, Anica (Comentor)
Files:.pdf UN_Hudin_Darja_2014.pdf (5,78 MB)
MD5: 780FFDDB8822DBBCAC5BDB36D2BEDF83
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Diplomsko delo je razdeljeno na teoretični in praktični del. Pri teoretičnem delu so ob posameznih primerih akvarelov prikazane odlike akvarela, kot so transparentnost, mehka harmonija vodnatih barv in lepota slikarske bistrine. Podan je umetnostnozgodovinski oris razvoja akvarela od starih Egipčanov prek srednjeveških iluminatorjev do uporabe akvarela v času odkrivanja Amerike in omembe protagonistov akvarela v 18., 19. in 20. stoletju, nato je omenjen izum poltonske reprodukcije v grafični industriji in njegov vpliv na razvoj akvarela. Podana je biografija Paula Cézanna in osvetljeni sta vloga ter kontekst Cézannove umetnosti. Prepoznani in opredeljeni so bistveni označevalci Cézannove gradnje akvarelov. Pri praktičnem delu diplomskega dela smo realizirali lastno interpretacijo podobnih motivov iz narave v akvarelu in pri tem upoštevali Cézannov princip gradnje akvarelov. Pri tem smo iskali lastno slikarsko pripoved in predstavili postopek lastnega dela.
Keywords:slikarstvo, akvarel, Paul Cézanne, postimpresionizem
Place of publishing:Maribor
Publisher:[D. Hudin]
Year of publishing:2014
PID:20.500.12556/DKUM-47052 New window
UDC:75.021.32Cézanne(043.2)
COBISS.SI-ID:21189384 New window
NUK URN:URN:SI:UM:DK:X6WWLOFP
Publication date in DKUM:26.02.2015
Views:1817
Downloads:188
Metadata:XML DC-XML DC-RDF
Categories:PEF
:
Copy citation
  
Average score:(0 votes)
Your score:Voting is allowed only for logged in users.
Share:Bookmark and Share



Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Secondary language

Language:English
Title:CEZANNE'S APPROACH OF CREATING WATERCOLOUR
Abstract:This diploma paper consists of the theoretical and the practical part. In the theoretical part, the features of watercolours are demonstrated on individual examples of this painting method: transparency, soft harmony of watery colours and the beauty of the painting’s lucidity. An art-historical outline of the progress of watercolours is presented ranging from Ancient Egypt through illuminators in the Middle Ages to the use of watercolours in the time when the continent of America was discovered, followed by the mention of watercolour protagonists in the 18th, 19th and 20th century and the invention of halftone reproduction in the printing industry and its influence on the development of watercolours. The theoretical part also covers Paul Cézanne's biography and highlights the role and context of his art. The essential markers of Cézanne's construction of watercolours are identified and defined. In the practical part of the paper I realize my own interpretation of similar motifs from nature in watercolour. In doing so I considered Cézanne's principle for constructing watercolours while seeking my own painter’s narration. I also explain the process of my own work.
Keywords:painting, watercolour, Paul Cézanne, Post-Impressionism.


Comments

Leave comment

You must log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back
Logos of partners University of Maribor University of Ljubljana University of Primorska University of Nova Gorica