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Title:SLOVENSKI SKLADATELJI TAMBURAŠKE GLASBE V OKVIRU TAMBURAŠKIH SREČANJ
Authors:ID Grahek, Anton (Author)
ID Feguš, Maksimiljan (Mentor) More about this mentor... New window
Files:.pdf UN_Grahek_Anton_2015.pdf (2,17 MB)
MD5: 60E4EEF94D3D81C32FF31CEC05245A85
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Tamburaštvo je na Slovenskem prisotno že več kot stoletje in ni značilno samo za Belo krajino, kot marsikdo predvideva. Tako sta prvi do sedaj znani tamburaški zasedbi delovali v Cvenu pri Ljutomeru in Trstu leta 1890. Čeprav se še vedno obravnava kot ljudski instrument, se je razvoj igranja nanj dvignil že visoko nad nivo ljudske glasbe, za kar so v veliki meri zaslužna tamburaška srečanja, ki brez premora potekajo od leta 1981. V zadnjih desetih letih, odkar imajo srečanja tekmovalni značaj, je v Sloveniji vodilni tamburaški orkester Dobreč iz Dragatuša, ki je bil od leta 2005 osemkrat proglašen za najboljši tamburaški orkester v Sloveniji. Kljub današnji slabši prepoznavnosti tamburaške glasbe pri nas so za tamburaške orkestre že od konca 19. stoletja naprej pisali pomembni slovenski skladatelji. Poleg intenzivnejšega dela v tamburaških zasedbah in izobraževanja njihovih vodij je prav gotovo tudi to pripomoglo k dvigovanju nivoja igranja na ta instrument. Uporabljene so bile naslednje metode: deskriptivna metoda, zgodovinska metoda in metoda klasifikacije. V sklepu avtor povzame in komentira obravnavano snov.
Keywords:tamburica, instrument, skladatelj, srečanja, Dobreč
Place of publishing:Maribor
Publisher:[A. Grahek]
Year of publishing:2015
PID:20.500.12556/DKUM-48533 New window
UDC:785.1:780.614.1(043.2)
COBISS.SI-ID:21517320 New window
NUK URN:URN:SI:UM:DK:5ZEKGBBF
Publication date in DKUM:07.10.2015
Views:1664
Downloads:275
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:SLOVENIAN COMPOSERS OF TAMBURITZA MUSIC THROUGHOUT HISTORY
Abstract:Tamburitza playing has been present in Slovenia for over a century. It is not, however, typical only of the Bela krajina region, as one may presume. The first two known tamburitza groups were active in Cven near Ljutomer and in Trieste around 1890. Although tamburitza is still considered to be a folk instrument, the developement of playing has risen high above the level of folk music. This is largley the merit of tamburitza festivals which have been organized since 1981. In the last decade, since the festivals have gained a competitive chraracter, Tamburitza Orchestra Dobreč from Dragatuš has been nominated eight times as the best tamburitza orchestra in Slovenia. In spite of today's minor recognition of tamburitza music in Slovenia, important Slovenian composers have been composing music for tamburitza orchestras since the end of 19th century. This has, apart from intensive work in tamburitza ensembles and education of orchestra conducters, definitely contributed to the higher level of tamburitza playing. Used methods: descriptive method, history method and classificatory method. In conclusion part the author summarizes and comments the subject of the diploma paper.
Keywords:tamburitza, instrument, composer, festivals, Dobreč


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