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Title:BAROČNE FRESKE V GRAŠKI PALAIS ATTEMS
Authors:ID Požin, Karin (Author)
ID Murovec, Barbara (Mentor) More about this mentor... New window
Files:.pdf UN_Pozin_Karin_2015.pdf (3,53 MB)
MD5: 33C8B8A8BA87BBAB42D33C2C96AFE32A
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Abstract:Diplomsko delo obravnava baročne poslikave v Palais Attems v Gradcu. Freske so plod sodelovanja med naročnikom Ignacom Marijo grofom Attemsom (1652–1732) in slikarjema Frančiškom Karlom Rembom (1674–1718), ki je izvedel večino del v palači, in Matthiasom von Görzem (1670–1731). Glavni del naloge se osredotoča na analizo treh stropnih poslikav – v preddverju prvega nadstropja, reprezentančnem stopnišču in preddverju drugega nadstropja, ki so bile slabo raziskane, predvsem z ikonografskega vidika. V ospredju so alegorično-mitološki prizori, ki kažejo apoteozo hiše Attems, predvsem pa Ignaca Marijo, naročnika in avtorja ikonografskega programa.
Keywords:štajerski barok, Gradec, Palais Attems, Ignac Marija grof Attems, Frančišek Karl Remb, Matthias von Görz, slikarstvo, baročne freske, ikonografija, mitologija
Place of publishing:Maribor
Publisher:[K. Požin]
Year of publishing:2015
PID:20.500.12556/DKUM-54184 New window
UDC:7.034.7:75.052(436Gradec)(043.2)
COBISS.SI-ID:21576456 New window
NUK URN:URN:SI:UM:DK:MBVPH6EQ
Publication date in DKUM:07.10.2015
Views:2537
Downloads:273
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:BAROQUE FRESCOES IN PALAIS ATTEMS IN GRAZ
Abstract:The diploma thesis discusses the baroque paintings in the Palais Attems in Graz. The frescoes are the result of a collaboration between the comissioner Ignaz Maria Count of Attems (1652–1732) and painters Franz Carl Remb (1674–1718), who made most of the works in the palace, and Matthias von Görz (1670–1731). The main part of the thesis centres on the analysis of three under researched ceiling paintings, i. e. paintings on the first floor foyer, in the representative staircase and on the second floor foyer, predominantly from the iconographic perspective. The thesis focuses on the allegorical-mythological scenes that depict the apotheosis of the House of Attems, mainly Ignatius Maria, the commissioner and mastermind of the iconographic programme.
Keywords:Styrian baroque, Graz, Palais Attems, Ignaz Maria Count Attems, Franz Carl Remb, Matthias von Görz, painting, baroque frescoes, iconography, mythology


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