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Title:UMETNIŠKO OBLIKOVANJE TEKSTILIJ S POUDARKOM NA TEHNIKI BATIKA
Authors:ID Šantl, Cirila Metka (Author)
ID Vidmar, Polonca (Mentor) More about this mentor... New window
ID Krašna-Kocijan, Anica (Comentor)
Files:.pdf UN_Santl_Cirila_Metka_2015.pdf (3,42 MB)
MD5: A0D2754B8D9B8DC45A8A3AE2813A1BE0
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Diplomsko delo z naslovom Umetniško oblikovanje tekstilij s poudarkom na tehniki batika je nastalo iz želje po raziskovanju tega načina ustvarjanja. Teoretični del je namenjen raziskavi tehnike batik, postopku nanašanja voska, ki je rezervirno sredstvo, in načinu barvanja tekstilij. Opisan je tudi zgodovinski okvir ter vplivi na razvoj postopka. Predstavljen je simbolizem v kitajski umetnosti in batiku. Tehnika batik je predstavljena kot možnost umetniškega izražanja. V teoretičnem delu je predstavljen slikar Raoul Dufy, ki se je ukvarjal z umetniškim oblikovanjem tekstilij. Pri nas se na tak način umetniško izraža Vera Sešlar Založnik. V razgovoru z njo in pri raziskovanju njenega dela sem dobila navdih in ideje za realizacijo praktičnega dela naloge. Vpogled v njena dela mi je odprl nov način razmišljanja in pristop k tehniki. Praktični del predstavlja moje lastno delo praktične uporabe tehnike batik, pri kateri sem s pomočjo čebeljega voska in barv za tekstil ustvarila različne batike.
Keywords:batik, simbolizem v kitajski umetnosti, batik v umetnosti, Raoul Dufy, modrotisk.
Place of publishing:Maribor
Publisher:[C. M. Šantl]
Year of publishing:2015
PID:20.500.12556/DKUM-54891 New window
UDC:745.52(043.2)
COBISS.SI-ID:21751560 New window
NUK URN:URN:SI:UM:DK:9JKZC9EF
Publication date in DKUM:30.11.2015
Views:2169
Downloads:201
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:ART TEXTILE DESIGN WITH AN EMPHASIS ON BATIK TECHNIQUE
Abstract:The thesis entitled Artistic Textile Design with an Emphasis on the Batik Technique originates from the desire to explore this method of artistic creation. The theoretical part presents the batik technique, the process of applying wax as a means of reserve, and various methods of dying textiles. It also outlines the historical context and the impact on the development process as well as symbolism in Chinese art and batik. Furthermore, the batik technique is presented as a means of artistic expression. The theoretical part presents the work of Raoul Dufy, the painter who has researched the artistic textile design. In Slovenia, the artist Vera Sešlar Založnik uses such artistic approach. Upon an interview with the artist and an in depth research of her work, I drew inspiration for my own ideas of realization of batik panting for the practical part of my diploma. The insight into her artistic expression triggered in me a new way of thinking and approach to the batik technique. The practical part presents my own artistic work and demonstrates practical application of the techniques of batik, in which I used beeswax and dyes to create a variety of batiks.
Keywords:batik, symbolism in Chinese art, batik in art, Raoul Dufy, blueprint.


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