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Title:CONFLICT BETWEEN PROJECTED AND ACTUAL IDENTITIES OF INDIVIDUALS IN PARTNERSHIPS IN THE TELEVISION SERIES MAD MEN AND THE FILM REVOLUTIONARY ROAD
Authors:ID Vidmajer, Tanja (Author)
ID Kennedy, Victor (Mentor) More about this mentor... New window
Files:.pdf UN_Vidmajer_Tanja_2016.pdf (650,72 KB)
MD5: 237FE94EA0DCEC2F0C207100A631D825
 
Language:English
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Abstract:My diploma thesis deals with the television series Mad Men and the film Revolutionary Road. The first part of the thesis consists of short summaries of both works as well as descriptions of the two married couples as main character figures from each story, the Drapers and the Wheelers. Firstly, the main part of the thesis discusses American post-war domestic ideology and the meaning of identity through a detailed analysis and comparison of the main protagonists and their relationships. Additionally, the thesis reveals how conformity, domestic containment, the banality of suburban life, consumerism, strictly defined gender roles, superficial marriages and the loss of one’s true identity lead to adultery and the destruction of the protagonists’ true selves. Secondly, alienation, a sense of frustration and silent despair inevitably culminate in the break-up of their marriages. Thirdly, the conflict between the actual and projected identities of the character roles they are bound to play becomes so major that the utopian aspirations of living their lives in the American dream are shattered into pieces. The inability to escape from their empty, hopeless lives is all there is left. Both works can be considered masterpieces, particularly in displaying conformity and the lack of that personal drive to ever escape mediocrity, mainly because they seem to be more determined by the environment than they are capable of realizing. Ultimately, I had to pose a question: Are we all living our true, actual identities, freely and autonomously, or are we just like the Wheelers?
Keywords:domestic containment ideology, conformity, identity - social character, suburbanisation, consumerism - mass culture, quest for authenticity, hopeless emptiness
Place of publishing:Maribor
Publisher:[T. Vidmajer]
Year of publishing:2016
PID:20.500.12556/DKUM-55492 New window
UDC:316.472:791.221.4(73)(043.2)
COBISS.SI-ID:22039560 New window
NUK URN:URN:SI:UM:DK:CUBZIGHW
Publication date in DKUM:23.03.2016
Views:1509
Downloads:169
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:Slovenian
Title:KONFLIKT MED PROJICIRANIMI IN DEJANSKIMI IDENTITETAMI POSAMEZNIKOV ZNOTRAJ PARTNERSKIH ODNOSOV V TELEVIZIJSKI SERIJI MAD MEN IN FILMU REVOLUTIONARY ROAD
Abstract:Diplomsko delo se ukvarja s televizijsko serijo Mad Men in filmom Revolutionary Road. Prvi del se sestoji iz kratkih povzetkov obeh del in zakonskih parov, Draperjev in Wheelerjev, kot glavnih protagonistov obeh zgodb. Osrednji del diplomske naloge obravnava ameriško povojno ideologijo zajezitve družbe na ravni doma in pomen identitete skozi podrobno analizo in primerjavo glavnih protagonistov in njihovih odnosov. Prikazuje kako konformnost, zajezitev družbe na ravni doma, banalnost predmestnega življenja in potrošništvo, striktno določene spolne vloge, plitve zakonske zveze in izguba prave, dejanske identitete, vodijo k prešuštvu in destrukciji njihovega bistva. Odtujitev, občutki frustracij in tihi obup neizogibno vodijo k razdoru njihovih zakonskih zvez. Polega tega konflikt med dejansko in projicirano identiteto protagonistov, ki so jo primorani igrati, postane tako močan, da se celotne ameriške sanje, ki so jim bile obljubljene, razpadejo v koščke. Vse kar ostane je zavedanje nezmožnosti pobega iz njihovih praznih, brezupnih življenj. Obe drami sta mojstrovini v prikazovanju konformnosti in nezmožnosti glavnih akterjev, da bi zbrali dovolj notranje moči in drznosti, da pobegnejo iz povprečnosti. Na koncu sem morala postaviti vprašanje: Ali živimo v skladu z našo pravo, dejansko identiteto, svobodni in avtonomni, ali smo prav takšni kot Wheelerji?
Keywords:ameriška ideologija zajezitve družbe na ravni doma, konformnost, identiteta - družbeni karakter, suburbanizacija, potrošništvo - množična kultura, iskanje avtentičnosti, brezupna praznina


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