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Title:SARAJEVSKA HAGADA - PODOBE, UJETE MED VERO IN PREGANJANJEM
Authors:ID Geder, Mirjam Salma (Author)
ID Balažic, Janez (Mentor) More about this mentor... New window
Files:.pdf UN_Geder_Mirjam_Salma_2016.pdf (8,16 MB)
MD5: 1103D48F73B435C12E849F368441B014
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Pričujoče diplomsko delo temelji na raziskavi problematike figurativnega upodabljanja v Sarajevski Hagadi. V prvem delu teze poudarim pojav iluminiranih rokopisov znotraj judovske prepovedi likovnega izražanja. Predstavljena je teorija o obstoju morebitnega antičnega judovskega rokopisa, na katerem naj bi temeljila srednjeveška krščanska in judovska rokopisna umetnost. Podan je nastanek iluminiranih Hagad v zgodovinskem in kulturnem kontekstu in pojav antisemitizma v 13. in 14. stoletju, ki je imel vpliv na ikonografijo Hagad. Analizirane so tudi ključne iluminacije iz Sarajevske Hagade, in njihova medsebojna primerjava s krščanskimi iluminacijami. Medsebojno so primerjane tudi sefardske in aškenaške Hagade. Cilj diplomske naloge je bil seznaniti bralca z jasnejšo sliko razvoja srednjeveških iluminiranih Hagad znotraj zgodovinskega in kulturnega okvirja, da bi lažje razumeli nastanek in avtorstvo Sarajevske Hagade.
Keywords:Sarajevska Hagada, judovska umetnost, krščanska umetnost, Judje, srednjeveška Španija, pasha, seder, iluminirani rokopisi, midraš, slika, beseda
Place of publishing:Maribor
Publisher:[M. S. Geder]
Year of publishing:2016
PID:20.500.12556/DKUM-58334 New window
UDC:7.04:26(043.2)
COBISS.SI-ID:22216200 New window
NUK URN:URN:SI:UM:DK:XXGGCMFV
Publication date in DKUM:24.05.2016
Views:1562
Downloads:204
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:SARAJEVO HAGGADAH - IMAGES, CAUGHT BETWEEN FAITH AND PERSECUTION
Abstract:The present study is based on a survey of the problems of figurative depiction in the Sarajevo Haggadah. In the first part of thesis, I highlight the emergence of illuminated manuscripts whitin the Jewish prohibition of artistic expression. The theory of a existence of possible ancient Jewish manuscript is presented, on which early Christian funerary and medieval manuscript art should be based. The occurrence of the illuminated Haggadot is given in the historical and cultural context, and the emergence of anti-semitism in the 13th and 14th centuries, which also influenced the iconography of the Haggadot. The key illuminations of the Sarajevo Haggadah are analyzed and their mutual comparison with the Christian illuminations. Sephardic and Ashkenazic Haggadot are also compared together. The aim of the thesis was to acquaint the reader with a clearer picture of the development of Jewish art from antiquity to the Middle Ages, in order to better understaning the origin and authorship of the Sarajevo Haggadah.
Keywords:the Sarajevo Haggdah, Jewish art, Christian art, Jews, medieval Spain, Passover, seder, illuminated manuscripts, Midrash, picture, word


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