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Title:POJAV, UPORABA IN ZAPIS SVOBODNIH IZVAJALSKIH TEHNIK V ZGODOVINI ZAHODNE GLASBE
Authors:ID Najdič, Jure (Author)
ID Svete, Tomaž (Mentor) More about this mentor... New window
Files:.pdf UN_Najdic_Jure_2016.pdf (1,28 MB)
MD5: E52DCBD47EDA7F7DD5BDE42EC082A3C7
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Namen pričujoče diplomske naloge je predstavitev širokega pojma svobodnih izvajalskih praks ali improvizacije v glasbeni umetnosti zahodne glasbe. V tem okviru želi naloga prikazati konkretne primere glasbenih praks in oblik, ki skozi prizmo posameznih zgodovinskih obdobij osvetljujejo sam pojav, uporabo in zapis svobodnih izvajalskih tehnik. Delo obravnava definicijo, razumevanje in razvoj samega pojma improvizacije, ki se je skozi številne muzikološke študije spreminjal. Z analizo in raziskovanjem kompozicijskih tehnik se delo posveča načinom uporabe in herminevtike improvizacije v glasbenih obdobjih srednjega veka, renesanse, baroka, klasicizma, romantike in glasbe 20. stoletja.
Keywords:svobodne izvajalske tehnike, glasbena improvizacija, kompozicija, zgodovina glasbe, svobodne glasbene oblike
Place of publishing:Maribor
Publisher:[J. Najdič]
Year of publishing:2016
PID:20.500.12556/DKUM-58829 New window
UDC:781.65(043.2)
COBISS.SI-ID:22394120 New window
NUK URN:URN:SI:UM:DK:XPRGX7QE
Publication date in DKUM:01.08.2016
Views:1244
Downloads:124
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:THE PHENOMENON, USE AND NOTATION OF FREE TECHNIQUES IN THE HISTORY OF WESTERN MUSIC
Abstract:The purpose of this thesis is to present a broad concept of free practice for executive or improvisation in the music art of the western music. In this context, the task of this work is to show concrete examples of musical practice and forms through the prism of historical periods illuminate the phenomenon itself, use and record of executive free techniques. The work deals with the definition, understanding and development of the concept of improvisation, which varies through a series of musicological studies. With the analysis and research of compositional techniques the work focuses on use and hermenautics of improvisation in the music of the medieval period, the Renaissance, baroque, classical, romantic and 20th century music.
Keywords:free executive technique, musical improvisation, composition, history, music, free music formats


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