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Title:ZGODOVINA SNEMALNE TEHNIKE SKOZI RAZVOJ ELELKTROAKUSTIČNE GLASBE
Authors:ID Vodopivec, Aleš (Author)
ID Svete, Tomaž (Mentor) More about this mentor... New window
Files:.pdf UN_Vodopivec_Ales_2016.pdf (332,35 KB)
MD5: 3F922CFC67633D78053136E27437EFE3
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Pričujoče diplomsko delo podaja pregled osnovnih in specifičnih značilnosti elektroakustične glasbe in zgodovine snemalne tehnike. Zgodovinski prerez zajema tako nove iznajdbe na področju snemalne tehnologije kot njeno uveljavljanje in uporabo pri komponiranju elektroakustične glasbe skozi 20. stoletje. Diplomsko delo je razdeljeno na štiri zgodovinska obdobja, ki so bila zaznamovana tako s strani tehnološkega razvoja kot tudi z vidika elektroakustične glasbe. Poleg pomembnih skladateljev elektroakustične glasbe so v delu predstavljena tudi njihova pomembna dela, ki so zaznamovala glasbeno zgodovino. Da je avtor lahko prišel do odgovorov na zastavljena raziskovalna vprašanja, je v teoretičnem diplomskem delu uporabil več različnih raziskovalnih metod.
Keywords:elektroakustična glasba, snemanje, konkretna glasba, elektronska glasba, gramofon, magnetni trak, diktafon, digitalno snemanje, magnetofon
Place of publishing:Maribor
Publisher:[A. Vodopivec]
Year of publishing:2016
PID:20.500.12556/DKUM-60772 New window
UDC:781.1:681.84(091)(043.2)
COBISS.SI-ID:22558216 New window
NUK URN:URN:SI:UM:DK:VHHOYO2K
Publication date in DKUM:21.09.2016
Views:2003
Downloads:167
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:THE HISTORY OF RECORDING TECHNIQUES THROUGH THE DEVELOPMENT OF ELECTEROACUSTIC MUSIC
Abstract:The diploma thesis delivers an overview of basic and specific characteristics of the electroacoustic music and the history of recording techniques. Historical cross section deals with new inventions in the field of recording technology, implementation of recording technology itself, and its usage in composing electroacoustic music throughout the 20th century. The thesis is divided into four parts according to historical periods which were influenced by technological development and electro-acoustic music. In addition to presentation of important composers of electroacoustic music, their major works are presented as well. In order to answer the research questions, the author used several different research methods.
Keywords:electroacoustic music, recording, concrete music, electronic music, phonograph, magnetic tape, digital recording, tape recorder


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