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Title:Kompozicija, likovna artikulacija in formalna likovna analiza
Authors:ID Vižintin, Nika (Author)
ID Rimele, Oto (Mentor) More about this mentor... New window
Files:.pdf UN_Vizintin_Nika_2016.pdf (4,57 MB)
MD5: 6A64181C6A7CE06F5B961131EE6A1F4A
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:V diplomskem delu z naslovom Kompozicija, likovna artikulacija in likovna formalna analiza je obravnavana tema kompozicije v likovni umetnosti, preučitev uporabe kompozicijskih načel v likovnih delih, osnovno razumevanje likovnega jezika ter metodologija oblikovne analize likovnih del. Namen je bil tudi raziskati in dopolniti strategije doseganja kompozicije v lastnem praktičnem delu ter oblikovati iztočnice za nadaljnjo ustvarjanje. Poskušala sem odkriti specifično pravilo za vsebinsko ustrezno kompozicijo ter ugotoviti potek kodiranja likovnega dela. V praktičnem delu predstavim avtorska dela, ki se nanašajo na temo komponiranja – pospremljena so z opisom miselnega procesa in formalne likovne analize lastnih likovnih del. Analiza lastnih del pokaže zanimive rezultate, ki so opisani v sklepnem delu. Raziskovalna hipoteza je bila v teku raziskave potrjena, vendar razširjena.
Keywords:Kompozicija, likovna artikulacija, likovne prvine, likovne spremenljivke, format, kompozicijski principi, formalna likovna analiza.
Place of publishing:Maribor
Publisher:[N. Vižintin]
Year of publishing:2016
PID:20.500.12556/DKUM-60848 New window
UDC:7.01(043.2)
COBISS.SI-ID:22440712 New window
NUK URN:URN:SI:UM:DK:DMH2NNQJ
Publication date in DKUM:24.08.2016
Views:5239
Downloads:914
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:Composition, articulation and formal analysis of fine arts
Abstract:The diploma thesis, entitled Composition, Articulation and Formal Analysis of Fine Arts, deals with composition in fine arts, studies the usage of composition principles in works of art, gives a basic understanding of visual language and a methodology of formal analysis of works of art. Moreover, my aim was to examine and supplement the strategies for achieving composition in my own practical work, too, and to develop the basis for further creative growth. I tried to discover a specific rule for a content fitting composition and to determine the coding line of a work of art. In the practical part I introduce works which refer to the topic of composition. They are accompanied by a description of the cognitive process and of the formal analysis of fine arts of my own works of art. The latter has produced interesting results which are described in the final part of my thesis. During the study, the research hypothesis has been confirmed and even expanded.
Keywords:Composition, articulation, elements of art, plastic variables, format, composition principle, formal analysis of fine arts


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