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Title:Priredbe prleških ljudskih pesmi za Orffova glasbila in vidiki skupnega muziciranja
Authors:ID Lubi, Aleš (Author)
ID Kobal, Cveto (Mentor) More about this mentor... New window
ID Kamplet, Robert (Comentor)
Files:.pdf UN_Lubi_Ales_2016.pdf (5,05 MB)
MD5: 4FA7210AF4B5192BE09416DD11C2452A
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Diplomsko delo je sestavljeno iz teoretičnega in praktičnega dela. V teoretičnem delu so na kratko opisane značilnosti slovenske ljudske glasbe. Predstavljene so značilnosti Prlekije in narečne, melodične, ritmične ter tekstovne značilnosti prleške ljudske pesmi. Navedeni so tudi zbiralci in ohranjevalci ljudske glasbe v Prlekiji. V nadaljevanju so opisana Orffova glasbila in temeljni vidiki skupnega muziciranja. V zadnjem poglavju, ki predstavlja uvod v praktični del diplome, so analizirani štirje prleški ljudski napevi: Dere sen jaz mali bija, Naš mujcek je ša v Rogatec po sol, Mi pa mamo štir kote in Jaz bi lušten bija, če bi meo štrument. Za te napeve so napisane tudi priredbe in njihove analize. Praktični del zajema koncertni nastop.
Keywords:ljudska glasba, prleške ljudske pesmi, skupno muziciranje, Orffova glasbila, otroške pesmi, Prlekija
Place of publishing:Maribor
Publisher:[A. Lubi]
Year of publishing:2016
PID:20.500.12556/DKUM-60889 New window
UDC:39:78(043.2)
COBISS.SI-ID:22562312 New window
NUK URN:URN:SI:UM:DK:OYUI3KQ6
Publication date in DKUM:21.09.2016
Views:2464
Downloads:418
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:The arrangements of folk songs from the Prlekija region for Orff instruments and the aspects of collective music making
Abstract:The thesis consists of theoretical and practical part. The theoretical part of the thesis briefly introduces the characteristics of Slovene folk music. The features of Prlekija and Prlekija folk songs are presented, together with their dialectical, melodic, rhythmic characteristics as well as characteristics in lyrics. The collectors and preservers of folk music in Prlekija are listed. Orff instruments and the basic aspects of collective music making are described. The last chapter, which presents the introduction to the practical part of the thesis, analyses four folk tunes of Prlekija: Dere sen jaz mali bija, Naš mujcek je ša v Rogatec po sol, Mi pa mamo štir kote and Jaz bi lušten bija, če bi meo štrument. The arrangements of these tunes are also written as well as their analyses. The practical part of the thesis is the concert performance.
Keywords:folk music, folk songs of Prlekija, collective music making, Orff instruments, child songs, Prlekija


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