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Title:
TEHNIKE OSVETLITVE PRI ZDRUŽEVANJU REALISTIČNIH IN ANIMIRANIH SCEN
Authors:
ID
Furman, Klemen
(
Author
)
ID
Mongus, Domen
(
Mentor
)
More about this mentor...
Files:
UN_Furman_Klemen_2016.pdf
(1,66 MB)
MD5: D632E0D43843B20316BB7CD98772B340
Language:
Slovenian
Work type:
Bachelor thesis/paper
Typology:
2.11 - Undergraduate Thesis
Organization:
FERI - Faculty of Electrical Engineering and Computer Science
Abstract:
V diplomskem delu obravnavamo moderne tehnike digitalnega združevanja slik. Pričujoče delo je razdeljeno na dva segmenta. Najprej so predstavljene osnove digitalnega komponiranja (tj. izdelava maske), sledenje gibanja in barvna korekcija. Predstavljene so tudi osnovne zakonitosti svetlobe in osvetlitve. Drugi segment je osredinjen na izdelavo kratkega praktičnega primera, v katerem so po plasteh združene sekvence slik. Praktični primer je na koncu ovrednoten glede na kakovost in ustreznost združenega posnetka. Pri tem izpostavimo nekatere ključne zahteve za ustvarjanje realistične združene scene, s katerimi dosežemo za gledalca verodostojen posnetek.
Keywords:
digitalno komponiranje
,
sledenje gibanju
,
vizualni učink
Place of publishing:
[Maribor
Publisher:
K. Furman
Year of publishing:
2016
PID:
20.500.12556/DKUM-61999
UDC:
004.92:004.63(043.2)
COBISS.SI-ID:
19831318
NUK URN:
URN:SI:UM:DK:J9PBXOSZ
Publication date in DKUM:
06.09.2016
Views:
1325
Downloads:
137
Metadata:
Categories:
KTFMB - FERI
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Secondary language
Language:
English
Title:
LIGHTNING TECHNIQUES FOR COMPOSITING REALISTIC AND ANIMATED SCENES
Abstract:
In this diploma thesis we have studied and presented modern techniques of digital compositing. The thesis is divided into two parts. In the first part we present the basics of digital compositing. We present the creation of masks, write about motion tracking and color correction. We also introduce the basic principles of lights and lighting. In the second part, we present the production of a short practical example in which we combined sequences of images. At the end, the practical example is evaluated according to the quality of composite video, during which several key requirements for achieving authenticity of the results are exposed.
Keywords:
digital compositing
,
match moving
,
visual effects
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