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Title:UMETNOST IN POLITIKA. MODERNISTIČNI KIPAR FRANCE GORŠE (1897-1986)
Authors:ID Iskra, Anja (Author)
ID Murovec, Barbara (Mentor) More about this mentor... New window
ID Friš, Darko (Mentor) More about this mentor... New window
Files:.pdf MAG_Iskra_Anja_2016.pdf (18,74 MB)
MD5: 65D4F90F97CDC5D58ABD656A9BE71711
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Predmet pričujočega magistrskega dela je obravnava odnosa povojne slovenske politične oblasti do emigrantskega kiparja Franceta Goršeta, ki je zapustil domovino tik pred zaključkom druge svetovne vojne maja 1945. Njegova ideološka opredelitev je bistveno vplivala na nadaljnji potek življenja in umetniškega ustvarjanja, ki se je razlikovalo od predvojnih let. Leta 1972 je bila v Kostanjevici na Krki predvidena Goršetova retrospektivna razstava, s katero bi se slovenski javnosti prvič predstavil po odhodu iz domovine. Razstava je bila prepovedana, kar je vplivalo tudi na njegovo odločitev o morebitni vrnitvi v Slovenijo. Namen naloge je osvetlitev družbeno-političnega ozadja odnosa, ki ga je imela povojna oblast do emigrantskega kiparja Goršeta, in poglobitev znanja o umetniku in njegovem ustvarjalnem delu. Glavni viri za nalogo so bili ohranjeno arhivsko gradivo v obliki korespondence in uradnih dokumentov, strokovnih publikacij in pričevanja umetnikovih sodobnikov.
Keywords:France Gorše, slovensko kiparstvo, emigrantska umetnost, kulturna politika, nadzor umetnikov, Dolenjski kulturni festival
Place of publishing:Maribor
Publisher:[A. Iskra]
Year of publishing:2016
PID:20.500.12556/DKUM-63254 New window
UDC:73.071.1Gorše F.(043.2)
COBISS.SI-ID:22565128 New window
NUK URN:URN:SI:UM:DK:LNNIYFJM
Publication date in DKUM:14.11.2017
Views:2357
Downloads:266
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:ART AND POLITICS. MODERNIST SCULPTOR FRANCE GORŠE (1897-1986)
Abstract:The main objective of the thesis is the examination of the relationship between Slovene post-war political authorities and emigrant sculptor France Gorše, who left the country in May 1945. His ideological orientation had a great impact on his life and his artistic work. In 1972 the gallery in Kostanjevica na Krki planned a retrospective exhibition of Gorše’s work where he would present his sculptures for the first time since his departure from the country. The exhibition was prohibited, which in turn affected his decision of coming back to Slovenia. The purpose of the thesis is to bring to light the social and political aspects of the relationship between post-war authorities and emigrant sculptor France Gorše, as well as to expand the knowledge of the artist and his work. The main sources for the thesis were archived letter correspondence, official documents, academic publication and testimony of peers.
Keywords:France Gorše, Slovene sculpture, emigrant art, cultural policy, supervision of artists, Dolenjska culture festival


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