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Title:NEFORMALNO IZOBRAŽEVANJE NA PODROČJU LIKOVNE UMETNOSTI
Authors:ID Seme, Barbara (Author)
ID Zupančič, Tomaž (Mentor) More about this mentor... New window
ID Herzog, Jerneja (Comentor)
Files:.pdf MAG_Seme_Barbara_2016.pdf (2,74 MB)
MD5: E2F3C558847686A050FE5CC8546F60B7
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:V splošnem teoretičnem delu je neformalno izobraževanje opredeljeno skozi krajši zgodovinski pregled, navedene so definicije in tipi ter v korelaciji s formalnim izpostavljene prednosti in slabosti ter specifike, vezane na pedagoško prakso in psihosocialni pomen neformalnega izobraževanja v razvoju identitete. V nadaljevanju so opredeljene posamezne najpogostejše oblike pedagoškega neformalnega izobraževanja na področju likovne umetnosti s stališča njihovih potencialov uresničevanja ciljev, ki jih formalno izobraževanje ne dosega oz. jih uresničuje manj efektivno. Muzejska pedagogika pomembno prispeva k razvijanju likovnoapreciativnih sposobnosti otrok kot tudi k izgradnji novih estetskih izkušenj. Delavnice in tečaji lahko s svobodnim poseganjem po vsebinah ter časovno neomejenostjo celoviteje predstavljajo sodobne umetniške prakse, tabori in kolonije pa pomembno prispevajo k razvoju socialnih veščin in samostojnosti otrok. Empirični del navaja raziskavo specifik pedagoškega procesa muzejske pedagogike, delavnic in taborov v treh institucijah oz. organizacijah, reprezentativnih na svojem področju delovanja v slovenskem prostoru. Ugotovitve proučevanih primerov so podane s stališča uresničevanja potenicalov neformalnih oblik izobraževanja ter likovnopedagoškega procesa. Raziskani primeri povečini ustrezno izvajajo pedagoško prakso in lahko služijo za primer učinkovitega modela pedagoškega procesa z zastavljenimi nameni in cilji za obravnavane neformalne izobraževalne oblike.
Keywords:neformalno izobraževanje, muzejska pedagogika, likovna delavnica, likovni tabor, postmoderni kurikulum
Place of publishing:Maribor
Publisher:[B. Seme]
Year of publishing:2016
PID:20.500.12556/DKUM-64094 New window
UDC:37.015.31:73/76(043.2)
COBISS.SI-ID:22783496 New window
NUK URN:URN:SI:UM:DK:QMXQURTQ
Publication date in DKUM:18.11.2016
Views:2797
Downloads:291
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:NON-FORMAL FINE ARTS EDUCATION
Abstract:The general theoretical part defines non-formal education in a short historical review, states its definitions and types and defines it in correlation with formal education through its advantages and disadvantages, specifics of pedagogical practice and its psychosocial importance to the development of identity. Further on, it separately defines most common forms of pedagogic non-formal education in the field of fine arts from the perspective of their potential for meeting the goals which formal education does not reach or realizes them with less efficiency. Museum pedagogy importantly contributes to childrens' development of art appreciation abilities as well as to their development of new aesthetic experiences. Workshops and classes have freedom of choosing the content and time organisation and are therefore able to present contemporary art more effectively; camps and colonies have important role in development of social skills and children's independence. In the empirical part we studied specifics of pedagogical processes of museum pedagogy, workshops and camps in three institutions or organizations, representative of their field of work in Slovenia. Statements of researched cases are stated from the perspective of meeting the potential of each form of non-formal education and from the perspective of fine art pedagogical process. All cases have mostly appropriate pedagogical practice and may serve as an examples of effective pedagogical process with the defined purpose and set goals of studied forms of non-formal education.
Keywords:non-formal education, museum pedagogy, art workshop, art camp, postmodern curriculum


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