| | SLO | ENG | Cookies and privacy

Bigger font | Smaller font

Show document Help

Title:Mad or Misunderstood – Representations of Madness in British Drama
Authors:ID Slapar, Irena (Author)
ID Onič, Tomaž (Mentor) More about this mentor... New window
Files:.pdf MAG_Slapar_Irena_2016.pdf (883,11 KB)
MD5: B7C15E90210891297ED8334413BAE30E
 
Language:English
Work type:Master's thesis
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Madness has always fascinated as well as frightened people, which is why its mysterious and indefinite essence has served as an inexhaustible source of inspiration to authors in novels, poetry and plays, and has personified itself in the works of artists. Madness has been an important theme in drama, since it mystified and excited the writers of tragedies as long ago as in Ancient Greece, whereas it entered the British world of drama with the same intensity at the time of its greatest creativity and has remained there ever since. Although it has subsided for a while in certain periods of time, it has never completely diminished into oblivion. Towards the end of the 20th century it resurfaced and regained its importance as an indispensable way of expression of the younger generation of playwrights, which shocked audience and critics alike. The thesis analyses different manifestations of alleged madness and examines how the understanding of irrational behaviour changed through centuries. It questions if diagnosis of the same mental disturbance differed whether the patient was a woman or a man. It further on analyses what kind of treatment was considered to be the most appropriate in a certain time and age. The purpose of this thesis is to examine the representations of (alleged) female madness in the plays of Sarah Daniels.
Keywords:madness, drama, women writers, gender, feminism
Place of publishing:Maribor
Publisher:[I. Slapar]
Year of publishing:2016
PID:20.500.12556/DKUM-64508 New window
UDC:159.97-055.2:821.111.09-2Daniels S.(043.2)
COBISS.SI-ID:22685448 New window
NUK URN:URN:SI:UM:DK:ZYSCKX2Q
Publication date in DKUM:20.10.2016
Views:1785
Downloads:152
Metadata:XML DC-XML DC-RDF
Categories:FF
:
Copy citation
  
Average score:(0 votes)
Your score:Voting is allowed only for logged in users.
Share:Bookmark and Share



Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Secondary language

Language:Slovenian
Title:Nori ali nerazumljeni – norost v britanski dramatiki
Abstract:Norost je že od nekdaj fascinirala in hkrati plašila ljudi, zato je s svojo skrivnostnostjo in nedoločljivostjo služila kot neizčrpen vir navdiha avtoricam in avtorjem v romanih, poeziji in dramah, ter se utelesila v mojstrovinah mnogih umetnikov. Prav tako je norost pomemben motiv v dramatiki, saj je vznemirjala že pisce tragedij v antični Grčiji, v britanski prostor pa je z enako intenzivnostjo vstopila v času največjega razcveta dramatike in v njem tudi ostala. V nekaterih obdobjih se je sicer za nekaj časa umaknila v ozadje, vendar ni nikoli popolnoma izginila, proti koncu 20. stoletja pa je postala stalnica izražanja mladih avtorjev, ki je pretresala tako kritike, kot občinstvo. Delo sprva razišče različne manifestacije domnevnih norostih in odpira vprašanje, kako se je pogled na nerazumljivo vedenje spreminjal skozi stoletja. Nadalje ugotavlja, če so se diagnoze norosti razlikovale glede na to, ali je trpeči bil moškega ali ženskega spola. Razišče tudi družbeno sprejemljive načine zdravljenja norosti, ki so variirali od bizarno neučinkovitih do boleče radikalnih in celo smrtonosnih. Delo se posveti analizi (domnevne) norosti pri ženskih likih v dramah avtorice Sarah Daniels.
Keywords:norost, drama, ženske pisateljice, spol, feminizem


Comments

Leave comment

You must log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back
Logos of partners University of Maribor University of Ljubljana University of Primorska University of Nova Gorica