Faroski kantaduri

Vranjican, Jakša

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Title:	Faroski kantaduri
Authors:	ID Vranjican, Jakša (Author) ID Lešnik, Ivan (Mentor) More about this mentor...
Files:	MAG_Vranjican_Jaksa_2017.pdf (2,67 MB) MD5: 64D09FE7CDBB0C1C23141E909B04AD70
Language:	Slovenian
Work type:	Master's thesis/paper
Typology:	2.09 - Master's Thesis
Organization:	PEF - Faculty of Education
Abstract:	V magistrskem delu Faroski kantaduri predstavljamo razvoj in delovanje skupine, repertoar pesmi, vokalno tehniko skupine ter osebnostne in poklicne lastnosti članov. V prvem delu predstavljamo zgodovino mesta in vpliv okolja, v katerem skupina deluje, ter razloge zakaj sta omenjeni komponenti pomembni za razvoj skupine in sestavo njihovega repertoarja pesmi. Faroski kantaduri imajo pomembno vlogo v ohranjanju izvirne klapske pesmi, zaradi česar je opisana njihova pomembna vloga med trenutno še delujočimi klapami. Za svoje delovanje so prejeli številne nagrade, najpomembnejše so tudi izpostavljene v nalogi. Pri izdelavi naloge smo uporabili deskriptivno, komparativno in zgodovinsko metodo raziskovanja. V delu navajamo več ugotovitev, do katerih smo prišli z raziskovanjem in analizo virov. Med drugim izpostavljamo, da skupina skozi leta ohranja uravnovešeno barvo zvoka z nenehnim pomlajevanjem zasedbe. V vokalni skupini je zastopanih več generacij, zaradi česar je ustniprenos repertoarja na mlade pevce intenziven. Obenem se prenaša tudi svojevrsten način petja, znan kot grleno petje. Pri raziskovanju smo ugotovili velik vpliv cerkvenega petja na klapsko petje in obratno. Pomembna je tudi razlika med cerkvenim in posvetnim repertoarjem, katera sta se ohranila v obliki ustnega izročila. Ugotovili smo, da je cerkveni repertoar zaradi nenehnega, vsakoletnega ponavljanja bolje ohranjen. Zapisani so primeri, po katerih lahko trdimo, da so Faroski kantaduri resnično varuhi glasbene dediščine.
Keywords:	Faroski kantaduri, klapsko petje, kolednice, postne pesmi, ustno izročilo, vokalna glasba
Place of publishing:	Maribor
Publisher:	[J. Vranjican]
Year of publishing:	2017
PID:	20.500.12556/DKUM-65518
UDC:	398.8:784.4(043.2)
COBISS.SI-ID:	23144968
NUK URN:	URN:SI:UM:DK:KUDYYSUJ
Publication date in DKUM:	06.06.2017
Views:	1837
Downloads:	103
Metadata:
Categories:	PEF
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Secondary language

Language:	English
Title:	Faros' Cantors
Abstract:	The master thesis titled Faros’ Cantors presents the development and work of the group, its repertoire of songs, vocal technique as well as personal and professional characteristics of the members. The first part presents the history of the city and the influence of the environment the group works in and the reasons why both components are important for the development of the group and the composition of the repertoire. The Faros’ Cantors have an important role in maintaining the original klapa a cappella songs; this is why their important role among the currently performing klapa groups is presented. They have received numerous awards for their work, the most important ones are also presented in this paper. The paper uses the descriptive, comparative and historic method of research. The paper states numerous findings which we found during the research and analysis of sources. Furthermore, the paper highlights that the group maintains its colour of sound with constant rejuvenation of the ensemble throughout the years. The vocal group represents several generations which makes the verbal transfer of the repertoire onto young singers intensive. The group also transmits a unique way of singing known as throat singing. The research has shown a large influence of church singing on klapa singing and vice versa. The difference between church and secular repertoire which has been preserved in form of oral traditions is also important. We found the church repertoire is more preserved because of its constant yearly repetition. There are written examples which lead us to argue that the Faros’ Cantors are the real guardians of musical heritage.
Keywords:	Faros’ Cantors, klapa singing, carol, fasting song, oral tradition, vocal music

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