| | SLO | ENG | Cookies and privacy

Bigger font | Smaller font

Show document Help

Title:The political use of the figure of John Coltrane in American poetry
Authors:ID Šalamon, Samo (Author)
Files:.pdf ELOPE_2007_Salamon_The_Political_Use_of_the_Figure_of_John_Coltrane_in_American_Poetry.pdf (226,51 KB)
MD5: A32EEE0F14C640DF2DCAC8DE11152E93
 
URL http://revije.ff.uni-lj.si/elope/article/view/3326
 
Language:English
Work type:Article
Typology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Abstract:John Coltrane, one of the most influential and important musicians and composers of the 20th century, began to inspire jazz musicians and American poets in the 1960s with the Black Arts Movement poets. His music was interpreted and used for the promotion of political ideas in the poetics of Amiri Baraka, Sonia Sanchez, Askia Muhammad Toure, Larry Neal and others. Thisis the political Coltrane poetry. On the other hand, Coltrane's music inspired another kind of poets, the musical poets, which began to emerge in the 1970s. In this case, the poetry reflects the true nature of Coltrane's spiritual music quest. The poets belonging to this group, like Michael S. Harper, William Matthews, Jean Valentine, Cornelius Eady, Philip Levine, Nathaniel Mackey and others, go beyond politics, beyond race or gender. In this essay I will investigate the first type of Coltrane poetry, where Coltrane's music was used to promote the political ideas of the Black Art Movements in connection with the political movement of Malcolm X. These poets changed, rearticulated and shifted Coltrane's spiritually musical message towards the principles of the black nationalism.
Keywords:American literature, American poetry, jazz, Afro-American poetry, Black Arts Movement, politics, jazz poetry, Black Arts Movement, influence of music on poetry, John Coltrane, Amiri Baraka, Sonia Sanchez
Publication status:Published
Publication version:Version of Record
Year of publishing:2007
Number of pages:str. 81-98
Numbering:Letn. 4, št. 1/2
PID:20.500.12556/DKUM-65719 New window
ISSN:1581-8918
UDC:821.111(73=96).09-1
ISSN on article:1581-8918
COBISS.SI-ID:36996450 New window
DOI:10.4312/elope.4.1-2.81-98 New window
NUK URN:URN:SI:UM:DK:O3BZVYL6
Publication date in DKUM:16.05.2017
Views:1329
Downloads:423
Metadata:XML DC-XML DC-RDF
Categories:Misc.
:
Copy citation
  
Average score:(0 votes)
Your score:Voting is allowed only for logged in users.
Share:Bookmark and Share



Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Record is a part of a journal

Title:ELOPE : English language overseas perspectives and enquiries
Shortened title:ELOPE
Publisher:Slovensko društvo za angleške študije, Slovensko društvo za angleške študije, Znanstvena založba Filozofske fakultete Univerze v Ljubljani, Založba Univerze v Ljubljani
ISSN:1581-8918
COBISS.SI-ID:212890112 New window

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.
Licensing start date:16.05.2017

Secondary language

Language:Slovenian
Title:Politična uporaba figure Johna Coltranea v ameriški poeziji
Abstract:John Coltrane je eden najbolj vplivnejših in najpomembnejših glasbenikov in skladateljev 20. stoletja, saj je njegova glasba spremenila svet jazza in svetpoezije ter postavila nove standarde v obeh umetniških krogih. John Coltrane je bil navdih jazz glasbenikom in ameriškim pesnikom že v 60ih letih prejšnjega stoletja, saj so pesniki Black Arts gibanja, kot so Amiri Baraka, Sonia Sanchez, Askia Muhammad Toure, Larry Neal in drugi uporabili in interpretirali njegovo glasbo za namene politične propagande v svoji poeziji. V tem primeru gre za politično Coltrane poezijo. Po drugi strani je bila glasba Johna Coltranea navdih za drugo vrsto pesnikov, glasbeno Coltrane poezijo, ki se je pričela pojavljati v 70ih letih 20. stoletja, kjer je poezija izražala resnično duhovno sporočilo Coltraneove glasbe. Pesniki, ki spadajo v to skupino, kot so Michael S. Harper, William Matthews, Jean Valentine, Cornelius Eady, Philip Levine, Nathaniel Mackey, so pisali poezijo preko meja politike, spola ali obravnavanja rasne tematike. V tem eseju se bomosredotočil na prvo vrsto Coltrane poezije, kjer je Coltraneova glasba služila za promocijo političnih idej gibanja Black Arts v povezavi s političnimi idejami Malcolma X. Ti pesniki so spremenili in premaknili Coltraneovo duhovno glasbeno sporočilo v sfere črnskega nacionalizma.
Keywords:ameriška književnost, ameriška poezija, afro-ameriška poezija, jazz, glasba, politika, jazz poezija, Black Arts gibanje, vpliv glasbe na poezijo, John Coltrane, Amiri Baraka, Sonia Sanchez


Comments

Leave comment

You must log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back
Logos of partners University of Maribor University of Ljubljana University of Primorska University of Nova Gorica