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Title:The reception of Harold Pinter's plays in Slovenia between 1999 and 2014
Authors:ID Gavez, Urša (Author)
Files:.pdf ELOPE_2016_Gavez_The_Reception_of_Harold_Pinter’s_Plays_in_Slovenia_between_1999_and_2014.pdf (94,84 KB)
MD5: C24C038B804EE3B97ED45573C866FDCA
 
URL http://revije.ff.uni-lj.si/elope/article/view/7060
 
Language:English
Work type:Article
Typology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Abstract:Harold Pinter started his career with a conspicuous lack of success. He faced negative critical reviews of his early works, but his typical style eventually opened doors to new worlds in modern drama. On Slovene stages, Pinter's plays also received a similarly modest welcome. The audience as well as the reviewers found his long pauses, silences and incoherent dialogue insufficiently engaging. One of the main reasons for this could have been their unfamiliarity with Pinter's style, which eventually acquired its own adjective - "Pinteresque". With time, Pinter's popularity increased more rapidly on the world stages than in Slovenia, and today this playwright is not a stranger to the Slovene theatre. This article deals with Pinter on Slovene stages as well as the popular and critical reception of his plays. The period before 1999 was thoroughly analysed by Darja Hribar, while this study is the first to focus on the decade and a half following.
Keywords:English literature, English drama, theatre, reception, translation, Harold Pinter, drama
Publication status:Published
Publication version:Version of Record
Year of publishing:2016
Number of pages:str. 51-61
Numbering:Letn. 13, št. 2
PID:20.500.12556/DKUM-65721 New window
ISSN:1581-8918
UDC:821.111.09-2Pinter H.:792(497.4)
ISSN on article:1581-8918
COBISS.SI-ID:63016034 New window
DOI:10.4312/elope.13.2.51-61 New window
NUK URN:URN:SI:UM:DK:ORQQ09C1
Publication date in DKUM:16.05.2017
Views:1384
Downloads:401
Metadata:XML DC-XML DC-RDF
Categories:Misc.
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Record is a part of a proceedings

Title:Time at the end of times
COBISS.SI-ID:287906304 New window

Record is a part of a journal

Title:ELOPE : English language overseas perspectives and enquiries
Shortened title:ELOPE
Publisher:Slovensko društvo za angleške študije, Slovensko društvo za angleške študije, Znanstvena založba Filozofske fakultete Univerze v Ljubljani, Založba Univerze v Ljubljani
ISSN:1581-8918
COBISS.SI-ID:212890112 New window

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.
Licensing start date:16.05.2017

Secondary language

Language:Slovenian
Title:Recepcija dram Harolda Pinterja v Sloveniji med letoma 1999 in 2014
Abstract:Harold Pinter je svojo gledališko kariero začel dokaj skromno. Pri uprizoritvah nekaterih svojih zgodnjih del se je spopadel s številnimi negativnimi kritikami, a sčasoma je njegov slog odprl vrata novim svetovom v moderni dramatiki. Tudi na Slovenskem so Pinterjeva dela doživela zadržano dobrodošlico. Tako občinstvu kot kritiki se njegove značilne dolge pavze ter nepovezani dialogi niso zdeli dovolj zanimivi. Med glavne razloge za takšen odziv lahko štejemo Pinterjev nov način dramskega izraza, katerega specifike so sčasoma pridobile oznako "pinterjanski" oz. "pinterjevski". V svetu je avtorjeva prepoznavnost naraščala hitreje kot na Slovenskem, vendar danes dramatik slovenskemu gledališču ni več tuj. Članek se ukvarja s Pinterjem na slovenski dramski sceni ter z odzivi kritike in občinstva nanje. Obdobje do leta 1999 je v tem pogledu temeljito raziskala Darja Hribar, ta raziskava pa se posveča desetletju in pol, ki temu obdobju sledi.
Keywords:angleška književnost, angleška dramatika, gledališče, sprejemanje, prevod, Harold Pinter, drama


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