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Title:Postni prti v vzhodnoalpskem prostoru 1450-1530 in pasijonska cikla v cerkvah sv. Duha v Slovenj Gradcu in sv. Petra nad Begunjami
Authors:ID Radanovič, Nataša (Author)
ID Oter Gorenčič, Mija (Mentor) More about this mentor... New window
Files:.pdf MAG_Radanovic_Natasa_2017.pdf (4,58 MB)
MD5: A9F8469692D7789E6D4952777492B630
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Pasijonska cikla v cerkvah sv. Duha v Slovenj Gradcu in sv. Petra nad Begunjami sta po številu prizorov najobsežnejša v slovenskem srednjeveškem slikarstvu. V literaturi se je v zvezi z obema cikloma že večkrat omenjala povezava s postnimi prti, kakršne pozna gotika v alpskih deželah. Kljub temu konkretnih primerjav še ni bilo opravljenih. Z raziskavo, opravljeno v tem magistrskem delu, sem želela ugotoviti, kakšen vpliv so imeli postni prti na oba pasijonska cikla, predvsem na izbiro motivov in zaporedje prizorov ter ikonografske podrobnosti. Raziskava je pokazala, da so na oba pasijonska cikla zelo verjetno vplivali postni prti z avstrijske Koroške, a tudi s širšega srednjeevropskega prostora (Štajerska, južna Nemčija). Na to kaže likovna zasnova obeh poslikav in enako zaporedje motivov. Zaradi slabe ohranjenosti postnih prtov ni bilo mogoče najti direktnega vzora za katero od obeh stenskih poslikav, domnevam pa, da sta se slikarja zgledovala tudi po stenskih poslikavah. Enakomerna geografska razširjenost postnih prtov in poslikav z največ pasijonskimi prizori kaže na obstoj tematskih predlog, ki so bile lahko vzorčne knjige, grafične predloge ali holandska štiridesetlistna Biblia pauperum.
Keywords:Slovenj Gradec, cerkev sv. Duha, Sv. Peter nad Begunjami, cerkev sv. Petra, postni prti, avstrijska Koroška, Jernej iz Loke, Andrej iz Ottinga, freske, srednjeveško stensko slikarstvo, pasijonski prizori, pasijonski cikel.
Place of publishing:Maribor
Publisher:[N. Radanovič]
Year of publishing:2017
PID:20.500.12556/DKUM-66154 New window
UDC:75:27-236.5(043.2)
COBISS.SI-ID:23266312 New window
NUK URN:URN:SI:UM:DK:B2WAP0NI
Publication date in DKUM:11.08.2017
Views:1957
Downloads:193
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:Lenten veils in the eastrn alps region from 1450-1530 and the passion cycles of the Church of the Holy Spirit in Slovenj Gradec and the st. Peter's church above Begunje
Abstract:The passion cycles in the Church of the Holy Spirit in Slovenj Gradec and the Church of St. Peter above Begunje contain the most scenes and are therefore the largest cycles in the Slovenian medieval art of painting. Literature has linked both of these cycles multiple times with Lenten veils, known by the Gothic art in the Alpine countries. Despite all of this, specific comparison still needs to be made. My goal of this thesis was to research the influence of Lenten veils on the aforementioned passion cycles, theme selection, scene sequence and iconographic details. The research has shown that both passion cycles were most likely influenced by Carinthian Lenten veils and also from a wider Central European area (Styria, southern Germany), which is indicated by the artistic concept of both paintings and the same theme sequence. Due to the poor preservation of Lenten veils I was unable to find a direct pattern for either of the two murals, though I presume that both painters followed also the example of other mural paintings. An approximate uniform geographical range of Lenten veils and murals with the most passion scenes indicates the existence of theme templates, which could have either been sample books, graphic templates or the Dutch 40-leaf Biblia pauperum.
Keywords:Slovenj Gradec, Church of the Holy Spirit, St. Peter above Begunje, Church of St. Peter, Lenten veils, Carinthia, Jernej of Loka, Andrej from Otting, frescos, medieval mural, passion scenes, passion cycle.


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