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Title:Povezovanje in razstavljanje v Mariboru med obema vojnama: Umetniški klub Grohar
Authors:ID Vaupotič, Nika (Author)
ID Murovec, Barbara (Mentor) More about this mentor... New window
Files:.pdf MAG_Vaupotic_Nika_2017.pdf (2,98 MB)
MD5: 9D759AE9CBC61852DA49A23F0070E1EE
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Predmet magistrskega dela je Umetniški klub Grohar, ki je deloval v času med letoma 1920 in 1926 v Mariboru. Ob koncu prve svetovne vojne, ko je mesto dobilo novo politično in geografsko vlogo, organiziranega likovnega življenja v Mariboru ni bilo. Umetniški klub Grohar si je zadal nalogo, da vzbudi v prebivalcih zanimanje za umetnost in ustvari umetniški trg, podpira umetniško ustvarjalnost na slovenskem Štajerskem in v Mariboru vzpostavi kontinuirano razstavno dejavnost. V času delovanja kluba so organizirali deset razstav, na katerih so lahko svoja dela predstavili člani in gostujoči umetniki. V nalogi so osvetljeni razlogi za nastanek Umetniškega kluba Grohar in okoliščine, v katerih je deloval. Analizirana je recepcija v likovni kritiki in javnosti ter vloga pri ustvarjanju umetniškega življenja v 20. stoletju v Mariboru, nenazadnje pa tudi njegovo mesto v slovenski in jugoslovanski umetnosti v času med obema vojnama.
Keywords:Umetniški klub Grohar, Maribor, likovna društva, razstave, umetniško povezovanje, umetnost med obema vojnama, umetnostna zgodovina, 1920, Viktor Cotič, Anton Gvajc, Fran Stiplovšek
Place of publishing:Maribor
Publisher:[N. Vaupotič]
Year of publishing:2018
PID:20.500.12556/DKUM-66498 New window
UDC:73/76(497.412)"1920/1926"(043.2)
COBISS.SI-ID:24031496 New window
NUK URN:URN:SI:UM:DK:GD4HG8MZ
Publication date in DKUM:24.09.2018
Views:1976
Downloads:270
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:Networking and Exhibiting in Maribor Between the Two World Wars: Art Group Grohar
Abstract:The subject of this master's thesis is the Art Group Grohar, which was active between the years 1920 and 1926 in Maribor. At the end of the First World War, when the city gained a new political and geographical role, there was no organized artistic life in Maribor. Art Group Grohar set itself the task to peak the population’s interest in art and to establish the art market, support artistic creativity in Slovenian Styria and to set up regular exhibitions in Maribor. During the time the group was active, they organized ten exhibitions in which members and guest artists could present their work. The thesis highlights the reasons for the foundation of the Art Group Grohar and the circumstances under which it operated. It also contains the analysis of the reception by art critics and the public, the group’s role in the creation of artistic life in the 20th century in Maribor, and last but not least, its place in Slovenian and Yugoslav art between the two World Wars.
Keywords:Art Group Grohar, Maribor, art societies, exhibitions, artist networking, art between the two World Wars, art history, 1920, Viktor Cotič, Anton Gvajc, Fran Stiplovšek


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