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Title:Analiza prevodov osebnih lastnih imen v slovenski, nemški in angleški sinhronizaciji madžarskega animiranega filma Vuk
Authors:ID Fodor, Péter (Author)
ID Valh Lopert, Alenka (Mentor) More about this mentor... New window
ID Kollath, Anna (Comentor)
Files:.pdf MAG_Fodor_Peter_2017.pdf (1,47 MB)
MD5: A0703FA4F7876921DCC8DB9F9096317D
PID: 20.500.12556/dkum/077f39c6-98d2-499c-ab79-1dddddd01b19
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Prevajanje osebnih lastnih imen predstavlja pogosto enega največjih izzivov pri sinhronizaciji animiranih filmov. Od prevajalca ne zahteva le kompetentnosti s področja poznavanja jezikovnih prvin ter kulturnih značilnosti izhodiščnega in ciljnega jezika, temveč mora biti prevajalec do podrobnosti seznanjen tudi z značajem posameznih likov in s filmskim ozadjem, zlasti ko gre za film, ki je nastal na osnovi knjižne predloge. Hkrati zahteva prevajanje za sinhronizacijo od prevajalca dober občutek za ritem in smisel za preprosto, vendar ustvarjalno izražanje ter predvsem sposobnost docela vživeti se v svet otrok. Namen magistrske naloge je predstaviti in analizirati prevodne različice imen animiranih junakov v slovenski, nemški in angleški sinhronizaciji madžarskega animiranega filma Vuk režiserja Dargay Attile. Za prevajanje osebnih lastnih imen obstaja veliko različnih strategij in pristopov. V magistrskem delu smo analizo osebnih lastnih imen opravili na podlagi prevajalskega modela avtorja Lincolna Fernandesa. Ugotavljali smo, katere strategije so prevajalci uporabljali pri prevajanju osebnih lastnih imen v slovenski, nemški in angleški različici madžarskega animiranega filma Vuk. Prevode osebnih lastnih imen smo med sabo primerjali, pri čemer smo iskali podobnosti in odstopanja. Če se nam določena prevodna rešitev ni zdela primerna, smo podali še predloge za izboljšave. Prevodne različice osebnih lastnih imen, ki smo jih v empiričnem delu magistrske naloge analizirali, smo na podlagi slušnega vtisa izpisali iz že obstoječe uradne nemške in angleške sinhronizacije madžarskega animiranega filma Vuk. Animirani film Vuk še ni bil preveden v slovenščino, zato smo ga v celoti prevedli, in sicer iz izvirnega, tj. madžarskega jezika. Pri tem smo upoštevali tehnike ter pogoje, ki jih narekuje prevajanje za sinhronizacijo.
Keywords:prevajanje osebnih lastnih imen, avdiovizualno prevajanje, sinhronizacija, animirani film, celovečerni animirani film Vuk.
Place of publishing:Maribor
Publisher:[P. Fodor]
Year of publishing:2017
PID:20.500.12556/DKUM-67707 New window
UDC:81'25:811.511.141'373.23(043.2)
COBISS.SI-ID:23403272 New window
NUK URN:URN:SI:UM:DK:LL51GA2G
Publication date in DKUM:19.10.2017
Views:1971
Downloads:158
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.
Licensing start date:28.08.2017

Secondary language

Language:English
Title:ANALYSIS OF TRANSLATIONS OF PERSONAL NAMES IN SLOVENE, GERMAN AND ENGLISH SYNCHRONISATION OF HUNGARIAN ANIMATED MOVIE VUK
Abstract:Translation of personal names often represents one of the greatest challenges for synchronisation of animated movies. It requires from the translator not only to have competence in the field of knowledge of language elements and cultural characteristics of the source and target language, but also to be familiar with the personality of individual character and film background in detail, especially when it comes to a movie, which was created on the basis of a book. At the same time, translation for synchronisation requires from the translator a good sense of rhythm and a sense of simple but creative diction, and mostly the ability to fully identify with the world of children. The purpose of the master's thesis is to present and analyze translation versions of the names of animated heroes in Slovene, German and English synchronisation of Hungarian animated movie Vuk of the director Attila Dargay. There are many different strategies and approaches to translation of personal names. In this master's thesis, we have analysed personal names on the basis of translation model developed by Lincoln Fernandes. We determined which strategies are used by translators in translating personal names in Slovene, German and English version of Hungarian animated movie Vuk. Translations of personal names were compared to each other, while we were looking for similarities and deviations. In case a certain translation solution did not seem appropriate, we made further suggestions for improvements. Translation versions of personal names, which were analysed in the empirical part of the master's thesis, were written out on the basis of auditory impression from the existing official German and English synchronisation of the Hungarian animated movie Vuk. Animated movie Vuk has not yet been translated into Slovene, so we have fully translated it from the original, i.e. Hungarian language. In doing so, we took into account the techniques and terms dictated by the translation for synchronisation.
Keywords:translation of personal names, audiovisual translation, synchronisation, animated movie, animated feature movie Vuk.


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