Intertekstualnost literature v tekstih Billya Woodsa

Kolarič, Jožef

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Title:	Intertekstualnost literature v tekstih Billya Woodsa
Authors:	ID Kolarič, Jožef (Author) ID Kennedy, Victor (Mentor) More about this mentor... ID Trupej, Janko (Comentor)
Files:	MAG_Kolaric_Jozef_2017.pdf (894,76 KB) MD5: 5CB32CBF5B1257DB9E41518BF61A0887 PID: 20.500.12556/dkum/5a98baae-543c-49ff-8492-d6f5576b6d7a
Language:	Slovenian
Work type:	Master's thesis/paper
Typology:	2.09 - Master's Thesis
Organization:	FF - Faculty of Arts
Abstract:	Magistrsko delo preučuje, na kakšen način je literatura vpeljana v rap besedila, kako sta intertekstualnost in aluzija glavni stilistični tehniki integracije literature v rap besedila. Magistrsko delo je razdeljeno na teoretični in empirični del. Prvi del teoretičnega dela razloži sledeče koncepte: žanr, aluzija, tekst in intertekstualnost. V drugem delu teoretičnega je predstavljen postkolonializem v povezavi s štirimi glavnimi koncepti: imperializem, kolonializem, postkolonializem in neokolonializem. Rap kot žanr je postavljen v kontekst povezave z afro-ameriško izkušnjo v Združenih državah Amerike in je neposredno povezan z odnosi med rasami, gibanjem za državljanske pravice in suženjstvom. Zgodnji razvoj rapa je postavljen v zgodovinski kontekst, predstavljene so najpogostejše retorične figure. Empirični del magistrskega dela prinaša zgodovinski pregled integracije literature v rap in analizo besedil Billya Woodsa. Besedila so preučena s treh vidikov. Prva dva se nanašata na intertekstualnost, uporabljeno za prikaz odnosov med rasami, in postkolonializem v besedilih Billya Woodsa. Tretji vidik se nanaša na prilagoditev sloga pisanja Danilla Kharmsa in Flannery O'Connor, prilagojenega rapu v besedilih Billya Woodsa. Zadnji del magistrskega dela se nanaša na vpliv pisateljev na določene raperje. Dodatek magistrskega dela vsebuje pogovor z Billyem Woodsom, izveden za dotično magistrsko delo.
Keywords:	Billy Woods, aluzija, intertekstualnost, rap, hip hop, postkolonializem, razmerja med rasami, Daniil Kharms, Flannery O'Connor
Place of publishing:	Maribor
Publisher:	[J. Kolarič]
Year of publishing:	2017
PID:	20.500.12556/DKUM-68435
UDC:	821.111(73).09-1:81'42(043.2)
COBISS.SI-ID:	23378184
NUK URN:	URN:SI:UM:DK:SGV2L76F
Publication date in DKUM:	06.10.2017
Views:	2194
Downloads:	291
Metadata:
Categories:	FF
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Licences

License:	CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

Link:	http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:	The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:	21.09.2017

Secondary language

Language:	English
Title:	Intertextuality of literature in Billy Woods`s lyrics
Abstract:	The thesis analyses how literature has been integrated into rap lyrics. It looks at how allusion and intertextuality are the main stylistic techniques to integrate literature into rap lyrics. The thesis is divided into two parts: the theoretical and empirical. The theoretical part explains the concept of genre, allusion, text and intertextuality. The second part of the theoretical part analyses post-colonialism and its four main concepts: imperialism, colonialism, post-colonialism and neo-colonialism. It contextualizes how the development of rap music as a genre evolved from the African-American experience in the United States and is directly connected to race relations, the Civil Rights Movement and slavery in the United States. The early development of rap music is explained in the historical context and the most common speech figures in rap are elaborated upon. The empirical part makes a historical overview of the integration of literature into rap music and analyses Billy Woods’s lyrics. The lyrics are analysed from three perspectives. The first two being how intertextuality is used to portray race relations, post-colonialism and to give the text an additional layer of interpretation. The third aspect addresses how the writing of Daniil Kharms and Flannery O’Connor has been adapted into a rap form by Billy Woods. The last part of the thesis deals with how specific writers have influenced individual rappers. The appendix includes a conversation conducted with Billy Woods for this thesis.
Keywords:	Billy Woods, allusion, intertextuality, rap, hip-hop, post-colonialism, race relations, Daniil Kharms, Flannery O’Connor

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