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Title:Ohranjanje kulturne dediščine pletarstva z umetniškim delom
Authors:ID Lanišek, Tina (Author)
ID Balažic, Janez (Mentor) More about this mentor... New window
ID Zidar, Dušan (Comentor)
Files:.pdf MAG_Lanisek_Tina_2018.pdf (2,26 MB)
MD5: E7082FE95D2F2FD3E8A1761E8095C9BD
PID: 20.500.12556/dkum/54474eb0-e882-416d-95bf-21103249832f
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Predmet pričujočega magistrskega dela je vprašanje, kako lahko umetnost pripomore k ohranjanju kulturne dediščine pletarstva in vrtnarstva, ki je bilo na Slovenskem vseskozi osnova domače samooskrbe. Kljub bogati kulturni zgodovini, zanimanje za pletarstvo v sodobni družbi pospešeno zamira. Kot eno izmed možnih rešitev za preprečitev le-tega vidimo v sodobnih likovnih praksah v dialogu z modelom ohranjanja kulturne dediščine, s pomočjo katerih bi lahko izdelali umetniška dela, ki bi vsebovala tri bistvene komponente: ohranjanje pletarstva – prevpraševanje sodobnega potrošništva – domača samooskrba. Pri tem se lahko vprašamo, kako in na kakšen način, če sploh, lahko sodobne likovne prakse pripomorejo k oživljanju zamirajočih kulturno-dediščinskih obrti, npr. pletarstva. Magistrska naloga je razdeljena na dva dela: v prvem je predstavljen teoretični del, katerega namen je raziskati pojav zamiranja pletarstva kot domače obrti in vzroke zanj. Eden izmed možnih vzrokov je industrijski način izdelovanja nadomestkov za pletarske izdelke in pomanjkanja interesa družbe za lastna ročna dela. Drugi del magistrske naloge predstavlja praktični del, katerega cilj je izdelati model s pomočjo sodobnih likovnih praks, tj. izdelava vertikalnega samooskrbnega vrta iz recikliranih materialov. Za izhodišče je bila postavljena uporaba pletarskih tehnik in oblikovanje modela iz sodobnih recikliranih nadomestkov. Podane so tudi smernice za uresničitev le-tega v vsakdanji praksi v obliki navodil za izdelavo.
Keywords:pletarstvo, sodobne likovne prakse, modeli ohranjanja kulturne dediščine, domača samooskrba, vertikalni vrt.
Place of publishing:Maribor
Publisher:[T. Lanišek]
Year of publishing:2018
PID:20.500.12556/DKUM-70578 New window
UDC:746.7:712.28(497.4)"19"(043.2)
COBISS.SI-ID:23892488 New window
NUK URN:URN:SI:UM:DK:OUPTZ1YF
Publication date in DKUM:19.06.2018
Views:1790
Downloads:181
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:27.05.2018

Secondary language

Language:English
Title:Preserving the cultural heritage of wickerwork with fine art
Abstract:The object of this Master's thesis is the question whether art can preserve the cultural heritage of wickerwork and horticulture, the bases of domestic self-sufficiency in Slovenia throughout time. Despite having a rich cultural history, interest in wickerwork is slowly fading away in our modern society. To prevent that, we believe a possible solution can be found by pairing contemporary art practices with a model of cultural heritage preservation, with the help of which we can create works of art, containing three fundamental components: preservation of wickerwork – consideration of contemporary consumerism – domestic self-sufficiency. Here, we ask how and in what way contemporary art practices can help revive the fading traditional trades like wickerwork, if possible at all. The thesis is split into two parts: the first, theoretical part is intended to explore the decline of wickerwork and its possible causes. One possible cause is the industrial production of wickerwork substitutes, and a general lack of interest for handcrafting. The second, practical part of the thesis is concerned with the making of a practical model, using contemporary art practices. With traditional wickerwork techniques, we made a vertical, self-sufficiency garden out of recycled materials. We have also written guidelines for realizing this project in everyday practice in the form of a manual.
Keywords:wickerwork, contemporary art practices, models for preserving cultural heritage, domestic self-sufficiency, vertical garden.


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