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Title:Dialog narave in dizajna na primeru hiše Fallingwater (1935-1939), arhitekturne mojstrovine Franka Lloyda Wrighta
Authors:ID Malek, Sabina (Author)
ID Kos Zabel, Mateja (Mentor) More about this mentor... New window
Files:.pdf UN_Malek_Sabina_2019.pdf (3,38 MB)
MD5: 955C9800A84E8B668FCC557C5495B4C3
PID: 20.500.12556/dkum/a59ae3e5-acbc-4ae8-86f9-2f8528a67f6d
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Abstract:Na prelomu prejšnjega stoletja se je v arhitekturi zgodil velik preobrat na področju principov gradnje. Moderna arhitektura je pod vplivom idej Bauhausa začela združevati funkcionalno z estetskim, še posebej z uporabo izčiščenih geometrijskih form in novih materialov, kot so steklo, jeklo in armirani beton. Pomemben prispevek k tej ideologiji predstavlja filozofija ameriškega arhitekta Franka Lloyda Wrighta o organski arhitekturi, ki narekuje, da mora biti stavba (tako njen interier kot eksterier) zgrajena v harmoniji z naravo in se popolnoma podrediti karakteristikam reliefa. Najboljša izvedba te ideje se kaže v zasnovi počitniške rezidence družine Kaufmann - stavbe Fallingwater v Pensilvaniji, ki je osrednji predmet obravnave v diplomskem delu. Naloga se posveča umetnostnozgodovinski obravnavi Wrightove biografije s strani različnih avtorjev, s poudarki na analizi arhitekturnega in oblikovalskega koncepta na primeru stavbe Fallingwater, ki že z lego nad slapom sporoča o prvinah organskega. Zanimalo nas bo, kje v dizajnu interierja in notranje opreme se kaže unija z naravo, kako se umetnikovo vgrajeno pohištvo sklada z zbirateljskim pohištvom naročnikov, kakšen je pomen svetlobe in sence in kako je dosežen dekorativni učinek skozi oblike, teksture in barve. Raziskava je zaokrožena s potegom vzporednic med interierjem in eksterierjem, v smislu njune fizične, vizualne in simbolične povezanosti - temeljnih principov Wrightove ideologije organskega oblikovanja.
Keywords:Frank Lloyd Wright, organska arhitektura, Fallingwater, narava, notranji dizajn, dizajnersko pohištvo, svetloba in senca.
Place of publishing:Maribor
Publisher:[S. Malek]
Year of publishing:2019
PID:20.500.12556/DKUM-74017 New window
UDC:747(043.2)
COBISS.SI-ID:24808200 New window
NUK URN:URN:SI:UM:DK:ZBOSLX22
Publication date in DKUM:24.10.2019
Views:1355
Downloads:108
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:19.07.2019

Secondary language

Language:English
Title:Dialogue of Nature and Design in the Case of Fallingwater House (1935-1939), the Architectural Masterpiece by Frank Lloyd Wright
Abstract:At the turn of the previous century, there occured a major shift in the field of architecture, regarding the principles of construction. Modern architecture, under the influence of the ideas of Bauhaus, began combining the functional with the aesthetic, especially by using pure geometric shapes and new materials, such as steel, glass and reinforced concrete. An important contribution to this ideology was made by the American architect Frank Lloyd Wright's philosophy of organic artchitecture, which dictates that a structure (in both interior and exterior) must be built in harmony with nature and completely conform to the characteristics of the relief. This idea was best realized in the design of the Kaufmann family's holiday residence - the Fallingwater building in Pennsylvania, which is the main object of study in this thesis. The latter focuses on the art historical treatment of Wright's biography by various authors, especially the analysis of the architectural and design concept, as exemplified by the Fallingwater building, which indicates "organic" just by being situated above a waterfall. We will look into where in the building's interior design and interior furnishings the unity with nature is shown, where is the correspondence between the artist's built-in furniture and the collectable furniture of Kaufmann family, what the meaning of light and shadow is, and how a decorative effect is attained through shape, texture and colour. The research is augmented by drawing parallels between the interior and the exterior through their physical, visual and symbolic harmony - the core principles of Wright's ideology of organic design.
Keywords:Frank Lloyd Wright, organic architecture, Fallingwater, nature, interior design, designer furniture, light and shadow


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