Od literarnega dela do odrskega govora - jezikovna analiza slovenske uprizoritve drame Simona Stephensa Tisti občutek padanja/Birdland v slovenskem narodnem gledališču Maribor (študija primera)

Kolar, Mojca

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Title:	Od literarnega dela do odrskega govora - jezikovna analiza slovenske uprizoritve drame Simona Stephensa Tisti občutek padanja/Birdland v slovenskem narodnem gledališču Maribor (študija primera)
Authors:	ID Kolar, Mojca (Author) ID Valh Lopert, Alenka (Mentor) More about this mentor...
Files:	MAG_Kolar_Mojca_2019.pdf (3,22 MB) MD5: C852E0B8D3CAEBE9238FC7ACFDAD5AE7 PID: 20.500.12556/dkum/85f53a9d-be79-4529-895f-ab62ea4eba86
Language:	Slovenian
Work type:	Master's thesis/paper
Typology:	2.09 - Master's Thesis
Organization:	FF - Faculty of Arts
Abstract:	Zaradi neponovljivosti odrskega trenutka je prevajanje za gledališče ena izmed najtežjih oblik prevajanja, saj mora biti prevajalec dovzeten tako za pomen napisanega kot posedovati izjemen jezikovni čut. Tudi lektor, ki skrbi za realizacijo predhodno določenih jezikovnih zvrsti jezika, mora imeti posluh in obširno znanje pri oblikovanju odrskega govora. Magistrska naloga se ukvarja z analizo govora, natančneje s postopkom oblikovanja odrskega govora od dramskega besedila, preko ustreznega prevoda vse do gledališke uprizoritve. V empiričnem delu smo analizirali izbrano poglavje iz drame Tisti občutek padanja (Birdland) Simona Stephensa in izvedli podrobno analizo slovenskega prevoda z angleškim izvirnikom in z odrsko uprizoritvijo, kjer smo obenem analizirali tudi govor. Pozorni smo bili predvsem na prozodična sredstva igralcev. Ugotovili smo, da je bil slovenski prevod narejen ustrezno, pri čemer je zajel ključne poudarke izvirnika. Ugotovljeno je bilo, da prevod v obravnavanem poglavju ni vseboval veliko semantičnih ali slovničnih posegov režiserja. Slovenski prevod je bil skladen z izvirnikom. Lektorja nista imela posebnih težav pri ohranjanju konsistence govorne podobe; narejene so bile večje ali manjše vsebinske spremembe obravnavanega besedila z namenom, da je govor tekoč in se obenem ohranja rdeča nit besedila.
Keywords:	gledališče, prevajanje za gledališče, odrski govor, Slovensko narodno gledališče Maribor, Tisti občutek padanja (Birdland)
Place of publishing:	Maribor
Publisher:	[M. Kolar]
Year of publishing:	2019
PID:	20.500.12556/DKUM-74933
UDC:	81\'255.4:791.221.4(73)(043.2)
COBISS.SI-ID:	24773128
NUK URN:	URN:SI:UM:DK:PFDMXRFD
Publication date in DKUM:	25.09.2019
Views:	1280
Downloads:	163
Metadata:
Categories:	FF
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Licences

License:	CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

Link:	http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:	The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:	13.09.2019

Secondary language

Language:	English
Title:	From Literary Work to Stage Speech - A linguistic Analysis of the Slovene Performance of Simon Stephens's Drama Birdland at the Slovene National Theatre Maribor (A Case Study)
Abstract:	Due to the uniqueness of a stage moment, translating for theatre is one of the most difficult subtypes of translation, as the translator must be sensitive to the meaning of the written word and possess an exceptional linguistic sense. The language consultant, too, must demonstrate high proficiency in linguistics in regards to the respective configuration of the stage speech. This master’s thesis focuses on the process of constructing stage speech, from the selected text, through the translation to the final adaptation. The empirical part compares one chapter from Simon Stephens’s drama Birdland (Tisti občutek padanja), its Slovene translation and the stage speech with a focus on prosodic elements spoken by the actors. We have established that the Slovene translation was adequate, encompassing all key accentuations of the original. In addition, we have also determined that the director made only minor semantic and/or grammatical interventions. The translation was congruent with the original. The language consultant had no particular difficulty in maintaining consistence of the speech configuration. However, some minor and, in some passages, major semantic changes of the text were made in order to increase the eloquence of the speech, as well to accentuate the significance of the main topic within the dialogue.
Keywords:	theatre, translating for the theatre, stage speech, Slovene National Theatre Maribor, Birdland (Tisti občutek padanja)

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