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Title:Gledalec, objekt in prostor: Instalacija v drugi polovici 20. stoletja na Slovenskem
Authors:ID Bečaj, Deja (Author)
ID Mohar, Katarina (Mentor) More about this mentor... New window
Files:.pdf MAG_Becaj_Deja_2019.pdf (2,87 MB)
MD5: 84662885673C0BE232EF134C5155C98C
PID: 20.500.12556/dkum/e626b4c1-20b0-4c64-a9f5-1fc861e8aae4
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Instalacija je umetniška zvrst, kjer gre za obsežna dela, ki se lahko širijo skozi več prostorov. Njena temeljna značilnost je, da morajo za »izgradnjo« umetniške celote sodelovati trije elementi: gledalec, objekt in prostor. Nanjo je vplivalo zlasti minimalistično kiparstvo, ki je od gledalca zahtevalo, da v svojem obravnavanje umetnine upošteva tudi prostor okoli predmeta. Nastali so ambienti, ki jih je pri nas prva ustvarjala Dragica Čadež (1940–). Ambient je za razliko od instalacije omejen na manjši prostor in je delil okolje z ostalimi predmeti, ki niso bili del postavitve. V osemdesetih in devetdesetih letih so tudi pri nas galerije postavitvam odrejale vse večje prostore, pogoste pa so bile tudi instalacije, ki so se razprostirale preko več sob. V devetdesetih letih so se umetniki začeli odmikati od institucij striktno namenjenim za razstave, hkrati pa je raslo zanimanje za ekološka vprašanja. Ustvarjali so postavitve v naravi (zlasti v sklopu projektov Kipi v vrtu in Štirje letni časi) in site-specific instalacije, ki za razliko od instalacije popolnoma izgubijo smisel, če jih premaknemo. Instalacija ostaja ena najbolj priljubljenih umetniških zvrsti, vendar zaradi poimenovanja, ki se ga pogosto enači z zgolj postavitvijo umetnine na določeno mesto, prihaja do zmede v obravnavanju instalacije kot samostojne umetniške zvrsti.
Keywords:instalacija, ambient, site-specific instalacija, instalacija na Slovenskem, aktivacija gledalca, postavitve v naravi
Place of publishing:Maribor
Publisher:[D. Bečaj]
Year of publishing:2019
PID:20.500.12556/DKUM-75257 New window
UDC:730(497.4):929Čadež D.(043.2)
COBISS.SI-ID:24878600 New window
NUK URN:URN:SI:UM:DK:XP6JQCAZ
Publication date in DKUM:13.11.2019
Views:1343
Downloads:243
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:06.10.2019

Secondary language

Language:English
Title:Spectator, Object and Space: Installation in the Second Half of the 20th Century in Slovenia
Abstract:Installation is an art genre, involving large-scale works that can spread across multiple spaces. It is mostly made in mixed media and often created for a specific location. Its core feature is the cooperation of three elements: the viewer, the object and the space, which build an artistic whole. With its emergence and rapid rise in popularity, installation offered endless possibilities for interpretation and merged with other artistic genres, such as performance. It was particularly influenced by technology that became more and more accessible to artists in the 1980s and was increasingly introduced in Slovene installations in the nineties. It remains at the top of popularity today, but because of the name, it is often equated with a mere layout or design of any exhibition, which causes confusion in considering installation as an independent art genre.
Keywords:Installation, Ambient, Site-specific installation, Installation in Slovenia, Activation of the viewer, Installations in nature


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