| | SLO | ENG | Cookies and privacy

Bigger font | Smaller font

Show document Help

Title:Josip Urbanija - kipar in črnovojnik
Authors:ID Šmid, Karin (Author)
ID Friš, Darko (Mentor) More about this mentor... New window
ID Murovec, Barbara (Mentor) More about this mentor... New window
Files:.pdf MAG_Smid_Karin_2019.pdf (3,23 MB)
MD5: BF11C01339DBDF1DC544FAF8005A53BA
PID: 20.500.12556/dkum/e9a88b6e-34fc-4801-a0a2-da2982cdb35e
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Izhodišče magistrskega dela sta skoraj v celoti prezrto življenje in delo kiparja in črnovojnika Josipa Urbanije (1877–1943). V Ljubljani rojeni kipar, ki se je po prvi svetovni vojni za stalno naselil na Dunaju, je v slovenski umetnostnozgodovinski literaturi ostal na robu raziskovalnega interesa. Obravnava njegovega življenja, opusa in sloga se je doslej osredotočala na čas do leta 1914. Leta od 1914 do 1918 so za skoraj vse evropsko prebivalstvo, hkrati pa še veliko svetovnega, pomenila posebno težko obdobje. Prva svetovna vojna je zarezala v njihovo ustaljeno življenje in vojnim razmeram so se morali ljudje v večji ali manjši meri prilagoditi. Kipar Josip Urbanija je bil vpoklican v avstro-ogrsko vojsko kot vojak črnovojnik, ampak je vseeno uspel nadaljevati svoje ustvarjanje tekom vojnih let. V magistrskem delu bomo predstavili možnosti likovnega udejstvovanja med vojno, s poudarkom na izkušnji Slovencev, osredotočili pa se bomo tudi na izkušnjo črnovojnikov, prav tako s poudarkom na slovenskem pogledu. Krajino so poleg front spreminjali tudi javni spomeniki. Ti so nastajali predvsem iz potrebe po obeleženju žrtev vojne, pa tudi kot spomin na požrtvovalnost ostalih vojakov, ki so se vojskovali na fronti in delovali v zaledju. Josip Urbanija je s svojima spomenikoma pustil sled v Bosni, spomeniki iz vojnega časa pa so ohranjeni tudi v Sloveniji, v neposrednem zaledju soške fronte. Predstavili bomo ikonografijo spomenikov in njihove oblikovne rešitve. Smrt ni prizanašala tudi v zaledju, kjer so Slovenci leta 1917 izgubili pomembno javno osebo, Janeza Evangelista Kreka (1865–1917). Njegov prezgodnji odhod iz javnega življenja je odmeval po vseh slovenskih časnikih in revijah, ki so Kreku pripisovali mnogo zaslug za slovenski narod. Prek analize nekrologov bomo predstavili podobo Janeza Evangelista Kreka ob njegovi smrti, hkrati pa to povezali s postavljanjem njegovega nagrobnega spomenika in poskusom postavitve spomenika v Ljubljani. V raziskavo so bili prvič pritegnjeni arhivski dokumenti odbora za Krekov spomenik, ki jih hrani Zgodovinski arhiv v Ljubljani.
Keywords:Josip Urbanija, prva svetovna vojna, črnovojniki, spomeniška plastika, nagrobna plastika, Janez Evangelist Krek
Place of publishing:Maribor
Publisher:[K. Šmid]
Year of publishing:2019
PID:20.500.12556/DKUM-75293 New window
UDC:929UrbanijaJ.(043.2)
COBISS.SI-ID:24876296 New window
NUK URN:URN:SI:UM:DK:G9UMPWT3
Publication date in DKUM:13.11.2019
Views:1606
Downloads:210
Metadata:XML DC-XML DC-RDF
Categories:FF
:
Copy citation
  
Average score:(0 votes)
Your score:Voting is allowed only for logged in users.
Share:Bookmark and Share



Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:13.10.2019

Secondary language

Language:English
Title:Josip urbanija - sculptor and
Abstract:The basis of this master thesis is almost entirely neglected life and work of the sculptor and a »Landstrum« soldier Josip Urbanija (1877–1943). He was born in Ljubljana; however, after World War I, he moved permanently in Vienna. Therefore, the Slovenian art history literature left him on margins of research interest. The analysis of his life, opus and style focused on the period up to 1914. Years from 1914 to 1918 present difficult period for almost the entire European and a majority of the world population. World War I cut into people’s habits and everyday life, they had to adapt to war conditions. Sculptor Josip Urbanija was called up in the Austrian-Hungary army as a »Landstrum« soldier, however, this had not affected his creativity throughout the war years. In this thesis, we present opportunities for art participation while emphasizing Slovenian experience during that period. Additionally, we focus as »Landstrum« soldiers’ experience and Slovenian point of view. Not only fronts but also public monuments have changed the landscape. Monuments commemorate war victims and they serve as a memory of selfless soldiers that fought in the front or rear. Josip Urbanija marked Bosnia with two monuments, nevertheless, war monuments are preserved also in Slovenia; they can be found close to the Soča front. We present monuments’ iconography and design solutions. Death shows no mercy in the outskirts, where the Slovenians lost an important person in 1917 – Janez Evangelist Krek (1865–1917). His early leaving from public life resonated in Slovenian newspapers and magazines that attributed to Krek numerous merits for the Slovenian nation. With the analysis of obituaries, we present the image of Janez Evangelist Krek and associate this to the placement of his gravestone and attempts to place his monument in Ljubljana. For the first time, archival materials from the Committee for Krek's monument that are stored in Historical archive in Ljubljana are included in the analysis.
Keywords:Josip Urbanija, World War I, »Landstrum« soldier, monument plastic, gravestone plastic, Janez Evangelist Krek


Comments

Leave comment

You must log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back
Logos of partners University of Maribor University of Ljubljana University of Primorska University of Nova Gorica