Razvoj, vloga in pomen kljunaste flavte

Paternost Žužek, Suzana

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Title:	Razvoj, vloga in pomen kljunaste flavte
Authors:	ID Paternost Žužek, Suzana (Author) ID Kobal, Cveto (Mentor) More about this mentor...
Files:	MAG_Paternost_Zuzek_Suzana_2019.pdf (2,76 MB) MD5: 943643F477F6816F5C1C2FF7CC9415D4 PID: 20.500.12556/dkum/82b2fdb2-9b71-4143-b3f4-87cb16cce72d
Language:	Slovenian
Work type:	Master's thesis/paper
Typology:	2.09 - Master's Thesis
Organization:	PEF - Faculty of Education
Abstract:	Kljunasta flavta se je v Evropi pojavila v srednjem veku. Skozi srednji vek, renesanso in barok je bila pomemben del glasbenega dogajanja ob slovesnih priložnostih v mestih in na dvoru ter družabnega udejstvovanja posameznika v vsakdanjem življenju. O njej so v renesančnih razpravah pisali glasbeni teoretiki S. Virdung, M. Agricola, M. Praetorius in S. Ganassi. Bogata amaterska dejavnost v baroku je spodbudila nastanek prvih učbenikov za kljunasto flavto. Za potrebe živahne koncertne dejavnosti in odličnih virtuozov na kljunasti flavti so nastajala pomembna dela znanih skladateljev: G. Ph. Telemanna, G. F. Händla, J. S. Bacha, A. Vivaldija in drugih. Ob koncu prve polovice 18. stoletja je priljubljenost kljunasti flavti začela padati. Za skoraj 150 let je utonila v pozabo. V začetku 20. stoletja so glasbeniki A. Dolmetsch, E. Hunt, W. Gurlitt, G. Scheck in H. Riemann z raziskavami na področju stare glasbe kljunasto flavto ponovno obudili. Z virtuozi na kljunasti flavti, kot so bili K. Otten, F. Brüggen in M. Vetter v 60. in 70. letih prejšnjega stoletja, in njihovimi interpretacijami historičnih in sodobnih del, je kljunasta flavta ponovno zasedla mesto, ki ga je nekoč v zgodovini že imela.
Keywords:	kljunasta flavta, ansambel, razprave, učbeniki, virtuozi
Place of publishing:	Maribor
Publisher:	[S. Paternost Žužek]
Year of publishing:	2019
PID:	20.500.12556/DKUM-75551
UDC:	780.8(043.2)
COBISS.SI-ID:	25047816
NUK URN:	URN:SI:UM:DK:YLY8ZPZ2
Publication date in DKUM:	13.01.2020
Views:	1381
Downloads:	304
Metadata:
Categories:	PEF
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Licences

License:	CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

Link:	http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:	The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:	03.12.2019

Secondary language

Language:	English
Title:	Development, role and importance of the recorder
Abstract:	The recorder first appeared in Europe in the Middle Ages. Throughout the Middle Ages, the Renaissance and the Baroque it was an important part of musical activities on notable occasions in towns and at the palace, as well as in social activities of an individual in everyday life. Musical theoreticians, such as S. Virdung, M. Agricola, M. Praetorius and S. Ganassi wrote about it in their Renaissance discussions. Rich amateur activities in the Baroque encouraged the appearance of the first textbooks for the recorder. To satisfy the needs of the vivid concert domain and excellent virtuosos on the recorder important works of famous composers were created: G. Ph. Telemann, G. F. Händel, J. S. Bach, A. Vivaldi and others. At the end of the first half of the 18th century the popularity of the recorder started diminishing. For almost 150 years it had been forgotten. At the beginning of the 20th century musicians such as A. Dolmetsch, E. Hunt, W. Gurlitt, G. Scheck, H. Riemann succeeded in reawakening the recorder with their research in the area of old music. With virtuosos on the recorder, such as K. Otten, F. Brüggen and M. Vetter in the sixties and seventies of the previous century and their interpretations of historical and modern works, the recorder once again took the place it had had in the history.
Keywords:	recorder, consort, treaseries, tutors, virtuosos

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