Risba kot prehod iz mimetičnega v nepredmetno

Črešnjovec, Klementina

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Title:	Risba kot prehod iz mimetičnega v nepredmetno
Authors:	ID Črešnjovec, Klementina (Author) ID Červek, Aleksander (Mentor) More about this mentor... ID Rimele, Oto (Comentor)
Files:	MAG_Cresnjovec_Klementina_2020.pdf (5,70 MB) MD5: C8E0CBA887352DC34F931DAC95317ED8 PID: 20.500.12556/dkum/c6c2738c-2166-41dc-9d40-c528c17c30bd
Language:	Slovenian
Work type:	Master's thesis/paper
Typology:	2.09 - Master's Thesis
Organization:	PEF - Faculty of Education
Abstract:	Magistrsko delo je sestavljeno iz dveh delov: teoretičnega in praktičnega. V obeh delih obravnavamo risbo kot prehajanje od mimetične likovne stvarnosti k nepredmetnemu izrazu. V praktičnem delu smo si zadali izziv, da kar se da nazorno predstavimo proces osebne risarske izkušnje, ki me je vodila od predmetne in opazovane izkušnje preko procesov stilizacije, redukcije in abstrahiranja v bolj in bolj nepredmetni oziroma abstraktni izraz. Prvi, teoretični del, temelji na raziskovanju risbe, kjer opredelimo njeno funkcijo. Skozi zgodovino in vse do danes je risba temeljna osnova vsakega likovnega izraza in je prisotna v vseh likovnih tehnikah, ko avtor določa oblikovne lastnosti svojemu likovnemu izrazu. Risba nam lahko služi kot samostojno delo ali pa ima funkcijo priprave za nadaljnje delo. Raziskovali smo, kakšno vlogo v likovni umetnosti je imela risba v preteklosti in kako se je skozi zgodovino njena vloga spreminjala. V nalogi smo opredelili zvrsti risbe in likovne prvine, ki nam pomagajo, da risbo lažje ovrednotimo in prepoznamo njeno sporočilnost. Mimetična podoba je temeljila na posnemanju in se je skozi zgodovinska obdobja spreminjala. Tako so npr. v renesansi izpostavljali, da umetnost posnema samo lepo resničnost. Umetniki so poleg zunanje upodobitve zajeli še osebni izraz in čustva ter s tem poudarili kar je v naravi skrito. V magistrskem delu smo izpostavili tudi tiste risarske podobe, kjer je razvidno prehajanje iz sveta predmetnih upodobitev v območje nepredmetnega in abstraktnega izraza. Tako smo v raziskovalno delo vključili analizo likovnih del Pabla Picassa, Vasilija Kandinskega in Pieta Mondriana in postopkov abstrahiranja, ki so jih le-tu uporabljali pri svojem ustvarjalnem delu.
Keywords:	risba, mimetična podoba, nepredmetna podoba, abstrahiranje, abstraktna umetnost
Place of publishing:	Maribor
Publisher:	[K. Črešnjovec]
Year of publishing:	2020
PID:	20.500.12556/DKUM-76731
UDC:	74.038(043.2)
COBISS.SI-ID:	25077507
NUK URN:	URN:SI:UM:DK:SEYGQGT5
Publication date in DKUM:	13.08.2020
Views:	1026
Downloads:	104
Metadata:
Categories:	PEF
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Licences

License:	CC BY-NC 4.0, Creative Commons Attribution-NonCommercial 4.0 International

Link:	http://creativecommons.org/licenses/by-nc/4.0/
Description:	A creative commons license that bans commercial use, but the users don’t have to license their derivative works on the same terms.
Licensing start date:	26.06.2020

Secondary language

Language:	English
Title:	Drawing as transition from mimetic to the immaterial
Abstract:	The master thesis consists of two parts: theoretical and practical. In both parts, we address the sketch as a transition from mimetic artistic reality to non-objective expression. In the practical part, we have taken on a challenge to clearly demonstrate the process of a personal sketching experience that has led us from the subject and observed experience through stylization, reduction and abstraction process to a more non-subject or abstract expression. The first, theoretical part, is based on a sketch research, where we define its function. Through history and to this day, the sketch remains a fundamental basis of every art expression and is present in all art techniques. A sketch can be an independent work or can have a function of preparation for further work. We have researched what kind of role did a sketch have in the past in fine arts and how its role has changed through history. In the master thesis, we defined the types of sketches, as well as artistic elements that help us with evaluating the sketch and recognizing its message. Mimetic image was based on imitation and changed through different historical periods. For example, in the renaissance period it was known that the art only imitates beautiful reality. Artists also captured personal expression and emotions, thus emphasizing what is hidden in nature. In the master thesis, we also focused on those drawing images, where you can see the transition from the world of object representations to the area of intangible and abstract expression. Therefore, we included the analysis of artwork of Pablo Picasso, Vasilij Kandinski and Piet Mondrian in our research part, as well as abstraction procedures that they used in their creative work.
Keywords:	sketch, mimetic image, non-objective image, abstraction, abstract art

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