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Title:Scapegoats in The Ones Who Walk Away from Omelas, The Lathe of Heaven and The Left Hand of Darkness by Ursula K. Le Guin
Authors:ID Veit, Anja (Author)
ID Kennedy, Victor (Mentor) More about this mentor... New window
Files:.pdf MAG_Veit_Anja_2020.pdf (1,13 MB)
MD5: 942A83024B28B68C6DFDBA7BDA274791
PID: 20.500.12556/dkum/cd075c24-9111-4a26-a132-22b12ab3fa7a
 
Language:English
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:This thesis explores scapegoats and scapegoating practices from their origins as a prominent biblical ritual of purification, to their social adaptation in modern-day societies – I research how scapegoats turned from ceremonial animals to a social metaphor for people. The rite initially represented the community’s symbolic removal of sins by the suffering goat, which re-affirmed people’s faith in elimination of all evil and enabled them to resume their everyday lives. The whole practice was reshaped over time, as the scapegoating shifted from animals to humans, where the latter seek scapegoats among themselves, primarily to renew the sense of their community and to cast out any evil from it. The scapegoat archetype is, therefore, still relevant today, as its development over the past centuries evolved into a convenient rationalization of faults against innocent individuals in various societies. The second part of this thesis is further divided into analysis of three literary works; ‘’The Ones Who Walk Away from Omelas’’, The Lathe of Heaven and The Left Hand of Darkness, one short story and two novels written by Ursula K. Le Guin, where the scapegoat archetype is explored and highlighted through four characters, which, on the basis of innocent suffering, round up realities that question the reader’s moral compass.
Keywords:scapegoat, the scapegoat archetype, ritual, sacrifice
Place of publishing:Maribor
Publisher:[A. Veit]
Year of publishing:2020
PID:20.500.12556/DKUM-76989 New window
UDC:821.111(73).09(043.2) Le Guin U. K.
COBISS.SI-ID:28398083 New window
NUK URN:URN:SI:UM:DK:UZMQJHGW
Publication date in DKUM:15.09.2020
Views:3271
Downloads:359
Metadata:XML DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:07.08.2020

Secondary language

Language:Slovenian
Title:Grešni kozli v Tisti, ki zapustijo Omelas, Nebesna stružnica in Leva roka teme Ursule K. Le Guin
Abstract:Središče obravnave našega magistrskega dela je grešni kozel. Gre za pojav, ki primarno izvira iz judovskega religioznega rituala žrtvovanja, danes pa je to izraz za žival ali osebo, ki je po krivici obtožena. Zaključno delo je razdeljeno na dva dela: v teoretičnem delu so predstavljene definicije, izvor in razvoj pojava grešnega kozla od starodavnega religioznega obreda do družbenega koncepta grešnega kozla, kot ga poznamo danes, drugi del pa predstavlja analizo treh literarnih del avtorice Ursule K. Le Guin, v katerih se pri različnih likih pojavljajo značilnosti grešnega kozla.
Keywords:grešni kozel, arhetip grešnega kozla, ritual, žrtvovanje


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