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Title:Sodobna grafika v Sloveniji
Authors:ID Strašek, Nika (Author)
ID Balažic, Janez (Mentor) More about this mentor... New window
ID Zlokarnik, Mojca (Comentor)
Files:.pdf MAG_Strasek_Nika_2021.pdf (14,25 MB)
MD5: ECA87FC9399A1348313EB674E482FAF4
PID: 20.500.12556/dkum/7de3ff37-ed5f-4abe-84a7-1cdedea033fe
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Magistrska naloga se osredotoča na razvoj sodobne grafike v Sloveniji skozi ljubljanski Mednarodni grafični bienale. Na začetku smo orisali razvoj grafike na slovenskih tleh in izpostavili ključne osebnosti ter dogodke, ki so pomembno vplivali na njen razvoj. Izhodišča smo poiskali v predvojni grafiki in ustanovitvi Akademije za likovno umetnost in oblikovanje v Ljubljani, dotaknili smo se ljubljanske grafične šole in Mednarodnega grafičnega bienala v Ljubljani. Slednjega smo podrobneje obravnavali, ker nas je zanimalo, kakšne spremembe in novosti so se pojavljale v zadnjih letih na področju grafične umetnosti. Proučili smo bienale od 20. izdaje naprej in bili pozorni na razvoj umetniške grafike, grafičnih tehnik in grafične matrice. Pri proučevanju omenjenega smo prišli do predpostavke, da je bilo zaradi razvoja grafike in pojava digitalnih medijev treba na novo zastaviti zasnovo bienala, ob tem pa se sprašujemo, ali je tradicija grafične umetnosti in grafičnih tehnik še vedno živa. Naš namen je tudi ugotoviti, kakšno vlogo ima danes matrica, saj predvidevamo, da sta se njena uporaba in pojmovanje spremenila. V zadnjem delu smo prikazali lasten pogled na sodobno grafično ustvarjanje. S produkcijo grafik, narejenih v tradicionalnih grafičnih tehnikah, želimo gledalca napotiti v raziskovanje sodobne umetniške grafike.
Keywords:sodobna grafika, Akademija za likovno umetnost in oblikovanje, Mednarodni grafični bienale, tradicionalne grafične tehnike, novi mediji
Place of publishing:Maribor
Publisher:[N. Strašek]
Year of publishing:2021
PID:20.500.12556/DKUM-78956 New window
UDC:76(497.4)(043.2)
COBISS.SI-ID:64323843 New window
Publication date in DKUM:24.05.2021
Views:1708
Downloads:188
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:06.04.2021

License:Other
Description:© Primož Pablo Miklavc Turnher, all rights reserved.
Licensing start date:06.04.2021
Applies to:Works of Božidar Jakec, included in the document.

Secondary language

Language:English
Title:Contemporary graphics in Slovenia
Abstract:The final thesis considers the development of contemporary graphics in Slovenia through the Slovenian International Biennial of Graphic Arts. It begins with the portrayal of the development of Slovenian graphic arts exposing crucial individuals and events, who contributed greatly to its development. The strating points were found in the pre-war graphics and the establishment of the Academy of Fine Arts and Design Ljubljana. Furthermore, the key points were also found in Graphic School Ljubljana as well as the International Biennial of Graphic Arts in Ljubljana. The latter was thoroughly studies with the particular interest in the changes that have occured over the years. We studied the Biennial from the 20th edition and focused on the development of graphic arts, graphic techniques and graphic matrix. The research led us to the assumption that due to the development of digital media the design of the Biennial needed to be reconsidered. By doing so, the question that arises is whether the tradition of graphic arts and graphic techniques is still alive. Our purpose is also to find out what the current role of the matrix is, as we presume that its use and conception have changed. The concluding part of the thesis shows a personal view on the contemporary graphic creation. Using graphics created by the use of traditional graphic techniques, we wish to direct the viewer's eye in the research of contemporary graphic arts.
Keywords:contemporary graphic art, Academy of Fine Arts and Design, International Biennial of Graphic Arts, traditional graphic design techniques, new media art


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