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Title:Umetniška praksa kot refleksija družbene stvarnosti
Authors:ID Gorišek, Davor (Author)
ID Zidar, Dušan (Mentor) More about this mentor... New window
Files:.pdf MAG_Gorisek_Davor_2021.pdf (4,39 MB)
MD5: FE64E7BBBBB74A2045BDF30B78B656BD
PID: 20.500.12556/dkum/ef72ebb7-854f-4c22-9133-832a3ffb6bc2
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Magistrska naloga se nanaša na lasten projekt Zavetje za brezdomce – NO more HOMELESS, ki izhaja iz analize odnosa med umetniškimi praksami in družbeno stvarnostjo. V uvodnem poglavju smo na kratko predstavili pojme, kot so družbena stvarnost, umetniške prakse 20. stoletja in medsebojni dinamični odnosi. Glede na literaturo smo predpostavili, da sodobne umetniške prakse z uporabo novih tehnologij, povezavo z znanostjo, vključevanjem participacije itd. reflektirajo sodobno družbeno stvarnost. V nadaljevanju našega raziskovanja smo naleteli na številne umetnike, ki se navezujejo na tematiko interpretiranja vloge in pomena participacije. Glede na avtorskoumetniški projekt magistrske naloge smo se osredotočili na tri umetniške prakse umetnikov iz Slovenije (Marko Peljhan – Makrolab, Marjetica Potrč in Ooze (Eva Pfannes in Sylvaino Hartenberg) – Of Soil and Water: King’s Cross Pond Club in KUD Obrat (Polonca Lovšin, Stefan Doepner, Urška Jurman in Apolonija Šušteršič) – Onkraj gradbišča) ter podrobneje raziskali to področje. Prišli smo do spoznanja, da se ob bok participativnosti večkrat postavi samoorganizacijsko načelo. Predpostavili smo, da sta participativnost in samoorganizacijsko načelo ključna relacijska dejavnika med umetniškimi praksami in družbeno stvarnostjo. Na podlagi analiz participativne umetnosti in samoorganizacijskega načela smo zasnovali konceptualno zasnovo lastnega dela Zavetje za brezdomce – NO more HOMELESS, ki predstavlja zavetje za brezdomce, narejeno iz odpadnih avtomobilskih predmetov ter naravnih materialov.
Keywords:umetniška praksa, participativna umetnost, samoorganizacijsko načelo, metoda »DIY/do it yourself – naredi sam«.
Place of publishing:Maribor
Publisher:[D. Gorišek]
Year of publishing:2021
PID:20.500.12556/DKUM-78983 New window
UDC:7.02(043.2)
COBISS.SI-ID:67762179 New window
Publication date in DKUM:22.07.2021
Views:11585
Downloads:85
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:10.04.2021

Secondary language

Language:English
Title:Artistic practice as a reflection of social rality
Abstract:The master's thesis refers to the author's art project called "Zavetje za brezdomce – no more homeless", which arises from the analysis of the relationship between artistic practices and social reality. In the introductory chapter, we briefly present concepts such as: social reality, artistic practices of the 20th century, as well as mutual dynamic relations. According to the literature, we assumed that contemporary art practices using new technologies, connection with science, inclusion of participation, etc. reflect contemporary social reality. In the continuation of our research, we came across a number of artists who relate to the theme and interpretation of the role and meaning of participation. According to the author's art project of the master's thesis, we focused on three artistic practices of artists from Slovenia (Marko Peljhan – Makrolab, Marjetica Potrč and Ooze (Eva Pfannes and Sylvaino Hartenberg) – Of Soil and Water: King’s Cross Pond Club and KUD Obrat (Polonca Lovšin, Stefan Doepner, Urška Jurman and Apolonija Šušteršič) – Onkraj gradbišča) and researched this field in more detail. We have come to the realization that the principle of self-organization is often placed alongside participation. We hypothesized that participatory and self-organizing principles are key relational factors between artistic practices and social reality. Based on the analysis of participatory art and the self-organization principle, we designed the conceptual design of our own work called "Zavetje za brezdomce – NO more HOMELESS", which is a shelter for the homeless, made of waste car objects and natural materials.
Keywords:Artistic practice, participatory art, self – organizing principle, DIY/do it yourself method.


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