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Title:Portretna fotografija kot predmet manipulacij in temelj v umetniških praksah 20. stoletja : magistrsko delo
Authors:ID Žarki, Ines (Author)
ID Verlak, Tanja (Mentor) More about this mentor... New window
Files:.pdf MAG_Zarki_Ines_2022.pdf (17,40 MB)
MD5: 23B07FF730EF639DF900E4E3E3985FA7
PID: 20.500.12556/dkum/99da07a1-9555-4802-81d8-5b30fc776c62
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Magistrska naloga z naslovom Portretna fotografija kot predmet manipulacij in temelj v umetniških praksah 20. stoletja skozi zgodovinski pregled medsebojnih vplivov portretne fotografije, razvoja fotografske tehnologije in vloge manipulacije v zgodnjih letih medija raziskuje pojavnost intermedijskih umetniških praks in umetniških intervencij v fotografiji. Naloga analizira razliko med likovno-manipulacijskimi in intermedijskimi odnosi in skladno s pojavom novih praks razlaga pojem umetniških intervencij. Nadalje analizira ustvarjalne procese pionirjev intermedijskega združevanja fotografije in drugih medijev Arnulfa Rainerja, Gerharda Richterja in Sigmarja Polkeja. Skozi njihove umetniške prakse naloga raziskuje vlogo posameznega medija, njegove izrazne (z)možnosti in doprinos k celotni podobi umetniških del. Serija del After Face Farces (Po obraznih farsah), izdelana v praktičnem delu naloge in zasnovana kot hommage Rainerjevi seriji Face Farces (Obrazne farse), obravnava Rainerjeve ustvarjalne prakse in jih prenaša v lasten umetniški izraz.
Keywords:portretna fotografija, likovna manipulacija, umetniška intervencija, intermedijska umetnost
Temporal coverage:1900-1999;
Place of publishing:Maribor
Place of performance:Maribor
Publisher:[I. Žarki]
Year of publishing:2022
Number of pages:1 spletni vir (1 datoteka PDF (XI, 122 str.))
PID:20.500.12556/DKUM-81498 New window
UDC:77.041.5\"19\"(043.2)
COBISS.SI-ID:107326723 New window
Publication date in DKUM:19.05.2022
Views:959
Downloads:101
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:04.04.2022

Secondary language

Language:English
Title:Portratit Photography as a Means of Manipulation and as a Fundation for 20th Century Art Practices
Abstract:This master's thesis, titled Portrait Photography as a Means of Manipulation and a Fundation for 20th Century Art Practices, studies the prevalence of intermedia art practices and art intervention in photography through a historical overview of reciprocal influences within portrait photography, the development of photographic technology and the role of manipulation in the medium's early years. The thesis analyses the difference between art manipulation and intermedia relationships, and defines the concept of art intervention within the framework of new emerging practices. Furthermore, it analyses artistic processes of Arnulf Rainer, Gerhard Richter and Sigmar Polke, artists who pioneered the intermedia movement/technique(s) by combining photography with other mediums. Through their artistic practices the thesis studies the role of each individual medium, its expressive ability and its contribution to the overall imagery of artworks. The practical part of the thesis consists of my own series of artworks After Face Farces, which is designed as an hommage to Rainer's series Face Farces; it examines Rainer's artistic practice and translates it into my own artistic expression.
Keywords:portrait photography, art manipulation, art intervention, intermedia art


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