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Title:Značilnosti romanov slovenskih pisateljic na prelomu iz 20. v 21. stoletje : doktorska disertacija
Authors:ID Kraner, Tina (Author)
ID Borovnik, Silvija (Mentor) More about this mentor... New window
Files:.pdf DOK_Kraner_Tina_2022.pdf (4,16 MB)
MD5: 76422DF1CEEB122E3B29EF9967EF836D
 
Language:Slovenian
Work type:Doctoral dissertation
Typology:2.08 - Doctoral Dissertation
Organization:FF - Faculty of Arts
Abstract:Doktorska disertacija Značilnosti romanov slovenskih pisateljic na prelomu iz 20. v 21. stoletje se ukvarja z analizo šestdesetih izbranih romanov sodobnih slovenskih pisateljic, ki so izšli na prelomu iz 20. v 21. stoletje (1995–2015). V tem obdobju so pisateljice objavile veliko žanrsko zanimivih romanov, ki so še zmeraj pogosto odrinjeni na obrobje slovenske literarnozgodovinske pozornosti in zato premalo raziskani. Osredotočamo se predvsem na motivno-tematske in jezikovno-slogovne značilnosti romanesknih del. V teoretičnem delu so predstavljena teoretična izhodišča o romanu, feministični literarni vedi in sodobnem slovenskem romanu (predvsem o sodobnem romanu slovenskih pisateljic), na katerih temeljijo analize. Naslanjamo se na spoznanja domačih in tujih literarnovednih strokovnjakov, kot so Theodor W. Adorno, Jan Alber, Franz Altheim, Rick Altman, Mihail Bahtin, Vladimir Biti, Silvija Borovnik, Neil Cornwell, Jonathan Culler, Umberto Eco, Monika Fludernik, Carlos Fuentes, Jeremy Hawthorn, Miran Hladnik, Marko Juvan, Jelka Kernev Štrajn, R. Brandon Kershner, Alenka Koron, Janko Kos, Milan Kundera, David Lodge, Georg Lukács, Vanesa Matajc, Katja Mihurko Poniž, Toril Moi, Krešimir Nemec, Svetlana Slapšak, Milivoj Solar, Tomo Virk, James Wood, Franc Zadravec in Alojzija Zupan Sosič. Izbrani romani so razvrščeni po žanrskosti (avtobiografski, antiutopični, zgodovinski, kriminalni, fantazijski in znanstvenofantastični roman, grozljivi, ljubezenski, potopisni, družbeni, družinski, psihološki roman, roman s tematiko obrobnežev, posebnežev in slehernikov) in žanrski sinkretičnosti (žanrsko hibridni romani), znotraj žanrske umestitve pa po generacijski pripadnosti avtoric: Nedeljka Pirjevec, Berta Bojetu Boeta, Maruša Krese, Jelka Ovaska, Brina Švigelj Mérat, Desa Muck, Miriam Drev, Alenka Jensterle Doležal, Marjanca Mihelič, Cvetka Bevc, Maja Novak, Sonja Porle, Maja Haderlap, Erica Johnson Debeljak, Andreja Zelinka, Nataša Sukič, Suzana Tratnik, Mateja Gomboc, Mojca Kumerdej, Tanja Tuma, Vilma Purič, Majda Pajer, Veronika Simoniti, Katarina Marinčič, Lucija Stepančič, Nataša Konc Lorenzutti, Nina Kokelj, Polona Glavan, Irena Velikonja, Stanka Hrastelj, Irena Svetek, Aleksandra Kocmut, Eva Kovač, Gabriela Babnik, Jela Krečič, Simona Lečnik, Vesna Lemaić, Nataša Kramberger, Tina Vrščaj in Anja Radaljac. Na osnovi temeljnih kategorij pripovedi (snov, tema, zunanja zgradba – naslov, razdeljenost romana; notranja zgradba – zgodba, motivi, sporočilo, literarna oseba, literarni čas in prostor, pripovedovalec, jezik in slog) odkrivamo izhodišča za snovi v izbranih romanih, raznovrstnost tem, kompozicijske značilnosti romanov, motive, literarne osebe (predvsem ženske like, njihovo družbeno vlogo ter odnose med moškimi in ženskimi liki), kronotop, vlogo pripovedovalca/-ke, perspektivo in jezikovno-slogovne novosti. S posebno pozornostjo se posvečamo še ženski perspektivi, različnim vrstam stereotipov in elementom žanrskosti v romanih. Na podlagi posameznih romanesknih analiz potrdimo ali ovržemo zastavljene hipoteze in odgovorimo na raziskovalna vprašanja tako, da romane medsebojno primerjamo in povzemajoče podamo skupne značilnosti izbranih romanov, npr. motivno-tematske novosti in posebnosti, ženski liki v odnosu do moških likov, družine, družbe in političnih problemov, zgradbene novosti, vloga pripovedovalk/pripovedovalcev in jezikovno-slogovne posebnosti. Sklep je posvečen obširnim zaključnim ugotovitvam, v njem tudi povzamemo izvirne znanstvene prispevke in rezultate disertacije ter z novimi spoznanji omogočamo možnosti za nadaljnje raziskave na področju romanopisja sodobnih slovenskih pisateljic.
Keywords:sodobna slovenska književnost, sodobna slovenska proza, sodobni slovenski roman, romaneskni žanri, feministična literarna veda, značilnosti, žanrski sinkretizem, generacijska pripadnost, roman sodobnih slovenskih pisateljic, snov, tema, zgodba, motivi, sporočilo, protagonist/-ka, pripovedovalec/-ka, perspektiva, jezik, slog
Place of publishing:[Maribor
Place of performance:[Maribor
Publisher:T. Kraner]
Year of publishing:2022
Number of pages:1 spletni vir (1 datoteka PDF (XVII, 364 str.))
PID:20.500.12556/DKUM-81611 New window
UDC:821.163.6.09-31"19/20"(043.3)
COBISS.SI-ID:132085251 New window
Publication date in DKUM:02.12.2022
Views:1321
Downloads:496
Metadata:XML DC-XML DC-RDF
Categories:FF
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License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:25.04.2022

Secondary language

Language:English
Title:Characteristics of novels by Slovenian female writers at the turn from the 20th into the 21st century
Abstract:This doctoral dissertation entitled Characteristics of novels by Slovenian female writers at the turn from the 20th into the 21st century discusses the analysis of sixty selected novels by contemporary Slovenian female writers published at the turn from the 20th into the 21st century (1995–2015). During this period, female writers published many genre interesting novels which are often still pushed to the margin of the Slovenian literary-historical attention and therefore insufficiently studied. We focus predominantly on motive-thematic characteristics and linguistic-stylistic characteristics of novelistic works. In the theoretical part, are presented the theoretical starting points about the novel, feminist literary studies and the contemporary Slovenian novel (especially about the contemporary novel by Slovenian female writers), which are the basis for our analysis. We draw on findings by domestic and foreign literature experts, such as Theodor W. Adorno, Jan Alber, Franz Altheim, Rick Altman, Mihail Bahtin, Vladimir Biti, Silvija Borovnik, Neil Cornwell, Jonathan Culler, Umberto Eco, Monika Fludernik, Carlos Fuentes, Jeremy Hawthorn, Miran Hladnik, Marko Juvan, Jelka Kernev Štrajn, R. Brandon Kershner, Alenka Koron, Janko Kos, Milan Kundera, David Lodge, Georg Lukács, Vanesa Matajc, Katja Mihurko Poniž, Toril Moi, Krešimir Nemec, Svetlana Slapšak, Milivoj Solar, Tomo Virk, James Wood, Franc Zadravec and Alojzija Zupan Sosič. The selected novels are sorted by genre (autobiographic, anti-utopian, historical, crime, fantasy and science fiction novel, horror, romance, travelogue, social, family, psychological novel, novel with theme of marginals, eccentrics and everymen), genre syncretism (genre-hybrid novels) and by generational belonging of the authors within the genre placement: Nedeljka Pirjevec, Berta Bojetu Boeta, Maruša Krese, Jelka Ovaska, Brina Švigelj Mérat, Desa Muck, Miriam Drev, Alenka Jensterle Doležal, Marjanca Mihelič, Cvetka Bevc, Maja Novak, Sonja Porle, Maja Haderlap, Erica Johnson Debeljak, Andreja Zelinka, Nataša Sukič, Suzana Tratnik, Mateja Gomboc, Mojca Kumerdej, Tanja Tuma, Vilma Purič, Majda Pajer, Veronika Simoniti, Katarina Marinčič, Lucija Stepančič, Nataša Konc Lorenzutti, Nina Kokelj, Polona Glavan, Irena Velikonja, Stanka Hrastelj, Irena Svetek, Aleksandra Kocmut, Eva Kovač, Gabriela Babnik, Jela Krečič, Simona Lečnik, Vesna Lemaić, Nataša Kramberger, Tina Vrščaj and Anja Radaljac. Based on the fundamental narrative categories (material, theme, external structure – title, division of the novel; internal structure – story, motifs, message, literary character, literary time and place, narrator, language and style) we discover the starting points for the material of the selected novels, diversity of themes, compositional characteristics of novels, motifs, literary characters (especially female characters, their social role and relations between the male and female characters), chronotope, role of the narrator, perspective and linguistic-stylistic novelties. We place special attention also on the female perspective, different types of stereotypes and genre elements in novels. Based on individual novelistic analysis we confirm or reject the set hypotheses and answer the research questions by mutually comparing the novels and by summarizing the common characteristics of the selected novels, e.g. motive-thematic novelties and peculiarities, female characters in relation to male characters, family, society and political problems, structural novelties, role of the narrators and linguistic-stylistic peculiarities. The conclusion includes comprehensive final findings and summarizes the original scientific contributions and results and on the basis of new findings enables possibilities for further research in the field of novel writing by contemporary Slovenian female writers.
Keywords:contemporary Slovenian literature, contemporary Slovenian prose, contemporary Slovenian novel, novelistic genres, feminist literary studies, characteristics, genre syncretism, generational belonging, novel by contemporary Slovenian female writers, material, theme, story, motifs, message, protagonist, narrator, perspective, language, style


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