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Title:O izvoru pedalnega klavirja, skladbah in obuditvi instrumenta v 21. stoletju : magistrsko delo
Authors:ID Repnik, Alja (Author)
ID Miklavčič, Dalibor (Mentor) More about this mentor... New window
Files:.pdf MAG_Repnik_Alja_2022.pdf (5,20 MB)
MD5: 0816428BF0AF04403AE7E57B0EA1C780
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Na podlagi zgodovinskih virov proučimo razvoj, različne funkcije in spreminjanje pedalnega klavirja. Nastanek je najprej opredeljen skozi njegova predhodnika: pedalni čembalo in pedalni klavikord. Prav tako je v magistrski nalogi na podlagi novejših raziskav opisano dolgoletno napačno dojemanje vseh strunskih pedalnih glasbil, že od renesanse naprej, kot instrumentov, ki so namenjeni samo in izključno vadbi organistov. Razvoj instrumenta je predstavljen skozi različna glasbena obdobja in prostore, v katerih se je razvijal: obdobje klasicizma na Dunaju, obdobje nemške romantike, obdobje francoske romantike, 20. stoletje in današnji čas, v katerem so se pojavile moderne rekonstrukcije. V okviru obdobij so predstavljeni tudi skladatelji, ki so ustvarjali za ta instrument, in njihove skladbe. Nekatere od slednjih so tudi analizirane. V zadnjem delu naloge so predstavljene tri moderne eklektične rekonstrukcije instrumenta, ki so se razvile v zadnjih nekaj desetletjih: Doppio Borgato, klavir Daliborja Miklavčiča in Pinchi sistem, katerih skupni namen je bil ustvariti klavir, na katerega je mogoče izvajati repertoar iz različnih obdobij na tehnično prilagodljive načine. Glavni namen naloge je obuditi zavedanje pomembnosti tega skoraj pozabljenega instrumenta, s poudarkom na delih prominentnih skladateljev.
Keywords:pedalni klavir, odkrivanje avtentičnosti, obuditev, rekonstrukcija, analiza
Place of publishing:Maribor
Place of performance:Maribor
Publisher:[A. Repnik]
Year of publishing:2022
Number of pages:1 spletni vir (1 datoteka PDF (XI, 84 str.))
PID:20.500.12556/DKUM-82322 New window
UDC:780.616.433(043.2)
COBISS.SI-ID:126564867 New window
Publication date in DKUM:21.10.2022
Views:579
Downloads:75
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:16.08.2022

Secondary language

Language:English
Title:On the origins, compositions and the revival of the pedalier in the 21st century
Abstract:Based on historical sources, the development, various functions, and the changes of the pedalier are examined. Its origin is discussed in the light of pedalier’s predecessors, the pedal harpsicord and the pedal clavichord. The master’s thesis, looking at recent studies, describes a long-standing misperception, since the Renaissance onwards, of all string pedal instruments as instruments used exclusively for practice by the organists. The development of the pedalier is presented through various musical periods and locations of its evolution: the Vienna Classicism, the German Romanticism, the French Romanticism, the 20th century, and the present with the emergence of modern reconstructions. Within the discussion of the periods, the composers who wrote for this instrument and their compositions, some of which are analysed, are introduced. The final part of the thesis gives an introduction to three modern eclectic reconstructions of the pedalier, which evolved in the recent decades: Doppio Borgato, Dalibor Miklavčič’s piano and the Pinchi pedalpiano system. Their common goal was to create a piano that would enable the performance of a technically adaptable repertoire from various time periods. The main objective of the thesis is to awaken the awareness of the importance of this almost forgotten instrument with the emphasis on the compositions of prominent composers.
Keywords:Pedalier, composers, determining authenticity, revival, reconstruction, analysis


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