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Title:Družbena kritičnost s poudarkom na ekologiji skozi umetnost kolaža in fotomontaže : magistrsko delo
Authors:ID Podbrežnik, Zoja (Author)
ID Lovšin, Polonca (Mentor) More about this mentor... New window
ID Puncer, Mojca (Comentor)
Files:.pdf MAG_Podbreznik_Zoja_2022.pdf (4,93 MB)
MD5: 327DF4E4E77AFB99E704761F178FD5DB
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Magistrska naloga Družbena kritičnost s poudarkom na ekologiji skozi umetnost kolaža in fotomontaže opisuje zgodovinski pregled kolažne ter fotomontažne tehnike manipuliranja s fotografskimi podobami. Na podlagi ekologije in problematike onesnaževanja, ter kako se ta povezuje z umetnostjo, opišem EKO 8, Mednarodni trienale umetnost in okolje / Pismo za prihodnost ter del njegove zgodovine nastanka. Obravnavam izbrane avtorje Johna Heartfielda, Marthe Rosler, NSK – Novega kolektivizma, Staneta Jagodiča, Polonce Lovšin in Jimmy Turrella ter njihova dela, ki temeljijo na tehniki kolaža, fotomontaže in na družbeni kritičnosti. Ob tem predstavimo tudi razmisleke izbranih filozofov in umetnikov o pomenu in problematiki ekologije v današnji družbi in njihovo vlogo družbene kritike ter odgovore na vprašanje, kje tiči problem krize. V zaključnem delu naloge predstavimo svoje praktično delo z naslovom Kako Lahko¬¬?, ki v ospredje postavlja problematiko onesnaževanja našega planeta. Izdelano je v tehniki fotomontaže. S pomočjo filozofskih razmislekov o ekologiji (Arne Naess in drugih) ter skozi dela umetnikov, ki se poslužujejo kolaža in fotomontaže ter so družbeno kritična, analiziramo korake svojega umetniškega ustvarjanja.
Keywords:Kolaž, fotomontaža, družbena kritičnost, globoka ekologija.
Place of publishing:Maribor
Place of performance:Maribor
Publisher:[Z. Podbrežnik]
Year of publishing:2022
Number of pages:1 spletni vir (1 datoteka PDF (VII, 104 str.))
PID:20.500.12556/DKUM-83365 New window
UDC:7.01:502/504(043.2)
COBISS.SI-ID:132928003 New window
Publication date in DKUM:08.12.2022
Views:978
Downloads:114
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:07.11.2022

Secondary language

Language:English
Title:Social criticism with an emphasis on ecology through the art of collage and photography
Abstract:The master's thesis Social criticism with an emphasis on ecology through the art of collage and photomontage describes a historical review of collage and photomontage technique of manipulating photographic images. On the basis of the ecology theme, the issue of pollution and how these two connect with art, I describe EKO 8, the International Triennial of Art and the Environment / Letter for the Future, and part of its historical origin. I discuss selected authors John Heartfield, Martha Rosler, NSK - New Collectivism, Stane Jagodič, Polonca Lovšin, Jimmy Turrell and their works, which are based on collage and photomontage techniques. I also present the reflections of selected philosophers and artists on the importance and the issue of ecology in today's society, their socially critical role, and the answer to where the problem of the crisis lies. In the final part of the thesis, I present my practical part entitled How can they?, which puts at the forefront the issue of pollution of our planet. It is made in the technique of photomontage. With the help of philosophical reflections on ecology (Arne Naess and others) and through the works of artists who use collage and photomontage and are socially critical, I analyse the steps of my artistic work.
Keywords:Collage, photomontage, social criticism, deep ecology.


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