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Title:Umetnost v zaporskem okolju : diplomsko delo univerzitetnega študijskega programa Varstvoslovje
Authors:ID Lasbaher, Lana (Author)
ID Hacin, Rok (Mentor) More about this mentor... New window
Files:.pdf UN_Lasbaher_Lana_2024.pdf (833,28 KB)
MD5: F48259A8D0B6FFD24DA9D11593644B70
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FVV - Faculty of Criminal Justice and Security
Abstract:V zaključnem delu smo se posvetili temi zaporske umetnosti, ter s pomočjo že obstoječe literature preučili umetnost v zaporu iz več vidikov. Posvetili smo se temu, kako umetnost v različnih oblikah - vključno z vizualno umetnostjo, jezikom in tetovažami - igra ključno vlogo v vsakdanjem življenju obsojencev in kako lahko te oblike izražanja vplivajo na posameznika in skupnost znotraj zidov zapora. Skozi naše delo smo preučili umetnost kot pomembno sredstvo, še posebej v kontekstu umetnostne terapije, kjer smo ugotovili, da ima pozitiven vpliv na posameznike tako na psihološki ravni kot tudi pri vzdrževanju dobrih medosebnih odnosov v organizaciji. Osredotočili smo se tudi na jezik, ki se razvije znotraj zidov in ugotovili, da gre za zelo kompleksen pojav, ki mu je zaradi nenehnega spreminjanja težko slediti. V zaporskem okolju se z jezikom poleg prenosa informacij vzpostavlja tudi identiteta posameznika in odnosi z drugimi. Ko smo govorili o umetniškem delu, smo zaključili, da gre za zelo dobro prakso, s katero lahko obsojenci izražajo svoja čustva, zmanjšajo vpliv stresorjev s katerimi se srečujejo, prav tako pa doživijo občutek ponosa na svoje delo. Tukaj se lahko spet vrnemo na umetnostno terapijo, kjer smo zajeli tudi njene učinke v smislu rehabilitacije in osebnega razvoja posameznikov. Poleg že naštetih pojmov pa smo pozornost posvetili še zaporskim tetovažam in njihovim pomenov, saj tako kot v zunanjem svetu ne predstavljajo le estetskega dodatka, ampak nosijo osebne zgodbe, nakazujejo na pripadnost skupinam in označujejo status obsojenca. Z ugotovljenim lahko zaključimo, da je umetnost v zaporih vse prej kot nezaželena, pomaga zaporskim delavcem pri identifikaciji posameznikove notranjosti, umirja stresne situacije in prispeva k boljši rehabilitaciji in reintegraciji obsojencev nazaj v družbo.
Keywords:zapori, zaporska umetnost, umetnostna terapija, jezik, tetovaže, diplomske naloge
Place of publishing:Ljubljana
Place of performance:Ljubljana
Publisher:L. Lasbaher
Year of publishing:2024
Year of performance:2024
Number of pages:VI, 38 f.
PID:20.500.12556/DKUM-89949 New window
UDC:343.812:7(043.2)
COBISS.SI-ID:207843843 New window
Publication date in DKUM:17.09.2024
Views:195
Downloads:58
Metadata:XML DC-XML DC-RDF
Categories:FVV
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:19.08.2024

Secondary language

Language:English
Title:Art in the prison environment
Abstract:In the thesis, we focused on the topic of prison art and examined art in prisons from multiple perspectives using existing literature. We explored how art in various forms—including visual art, language, and tattoos—plays a crucial role in the daily lives of inmates and how these forms of expression can impact individuals and the community within prison walls. Through our work, we investigated art as a significant tool, particularly in the context of art therapy, where we found it to have a positive impact on individuals both psychologically and in maintaining good interpersonal relationships within the organization. We also focused on the language that develops within the walls, discovering it to be a complex phenomenon that is difficult to track due to its constant evolution. In the prison environment, language is not only used for information transmission but also for establishing individual identity and relationships with others. When discussing artistic work, we concluded that it is a valuable practice through which inmates can express their emotions, reduce the impact of stressors they face, and experience a sense of pride in their work. This brings us back to art therapy, where we also examined its effects in terms of rehabilitation and personal development of individuals. In addition to the concepts already mentioned, we paid attention to prison tattoos and their meanings, as they, like in the outside world, not only serve as aesthetic additions but also carry personal stories, indicate group affiliations, and denote the status of the inmate. With these findings, we can conclude that art in prisons is far from undesirable; it aids prison staff in identifying an individual's inner world, calms stressful situations, and contributes to better rehabilitation and reintegration of inmates back into society.
Keywords:art, prison, therapy, language, tattoos


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